When New York film investment broker Roland W. Betts brought his idea for Silver Screen Partners to Home Box Office nearly three years ago, he was welcomed with open arms.
No wonder. Betts offered to put together a limited partnership that would infuse HBO with $75 million in funds with which the voracious cable giant could shake and bake its own movies.
Eventually, this money would have to be paid back, Betts said, but not for five years. Five years!
It was as if someone delivered a vat of fresh blood to Count Dracula's door and said, "Can you use this stuff?"
Betts wasn't sure who would put up the money. Most brokers couldn't look their clients in the eye while suggesting they let someone use their money interest-free for five years, even with a money-back guarantee and the possibility of dividends.
But Betts figured \o7 this \f7 product was different. It had magic, style, glamour. Profit isn't everything. As he says: "It's a fun, fun industry. The broker can say to his client, 'You can't lose money, you may even make some.' The investors can put up $2,000 and go see 'Volunteers' with their best friends, elbow them in the ribs and say, 'That's \o7 my \f7 movie.' "
The deal was bullet-proof. HBO guaranteed 50% of Silver Screen's money for exclusive cable rights. Thorn EMI, a British firm, guaranteed 40% for foreign distribution and foreign TV and videocassette markets. Other income was guaranteed from domestic videocassette sales.
Within 60 days after Silver Screen made its offer (through E. F. Hutton) it had an oversubscribed $83 million in the bank and HBO, which had previously helped finance films by paying its licensing fees in advance, was suddenly competing with its suppliers.
"They (Silver Screen) put us in the movie business in a big way," says Maurice Singer, head of film production for HBO. "They provided us with the ability to be responsible for our own destiny."
The problem two years and three released movies later is that Silver Screen's investors haven't had all that much to elbow their friends in the ribs \o7 about.\f7
The first HBO/Silver Screen film, "Flashpoint," was barely a blip on the box-office charts last year. Although this year's "Heaven Help Us" and "Volunteers" did better, neither generated the kind of heat that would drive a pharmacist out of his seat at the Bismarck Bijou shouting, "That's my movie!"
"Volunteers" was a disappointment, considering its cast. Early this summer, Tri-Star Pictures, which is distributing all of the HBO/Silver Screen movies, was hyping the Tom Hanks/John Candy comedy as one of the summer's likely blockbusters and managed to book its opening in more than 1,600 theaters.
After a month, the $13-million film has grossed $17.9 million. Not a disaster, but hardly a blockbuster either.
The rest of the HBO/Silver Screen slate: "Sweet Dreams," a biographical melodrama starring Jessica Lange as country singer Patsy Cline; "Head Office," a satire of corporate \o7 Angst \f7 starring Judge Reinhold and Jane Seymour; "Odd Jobs," a low-budget teen-age comedy, and "The Hitcher," a suspense drama starring Rutger Hauer and C. Thomas Howell.
There could be a rib-nudger in there yet. In the meantime, the investors will have to settle for what may simply end up being a good deal. Even though "Flashpoint" and "Heaven Help Us" did poorly at the box office, both are selling well on videotape.
According to Betts, Silver Screen's 13,000 limited partners have already had 20% of their money returned and will likely have all their money back before the five years are up. The partnership will continue for five years beyond that, Betts says, and monies earned from its film library during that time will be shared by all.
Anyway, Silver Screen worked so well that Betts has since made a similar, even larger arrangement with Disney. Silver Screen Partners II, the sequel, went on the market with a $100-million goal, and is reportedly already oversubscribed by more than $80 million.
Sources in the New York investment community say Silver Screen II may end up sweetening Disney's production pot by $200 million.
Betts won't say how much money the general partnership has taken in on Disney's behalf, but he estimates there will be more than 20,000 limited partners in the second group, with individual investments ranging from $2,000 to $500,000.
The difference between the two deals is control, Betts says. With HBO, the partnership participated in the film-making process, from approving properties to negotiating with Tri-Star for release dates. With Disney, he says, Silver Screen will be a passive partner.
"We feel the stature of the new management team at Disney is so strong, we didn't need to be involved (in creative decisions)," Betts says. "We were interested in Disney because the name is terrific, but we wouldn't have gone there if Michael Eisner (former head of Paramount Pictures) and Frank Wells (former head of Warner Bros.) hadn't gone over there first."