With her elegant proportions and beautifully ornamented style, Maria Benitez should be required viewing for aficionados of Spanish architecture as well as Spanish dance. As imposing in stillness as in motion, she evoked the glory of both art forms Saturday at Beckman Auditorium, Caltech.
In an evening of mostly flamenco music and dance, Benitez exemplified the technique and temperament, the power and sensuality of a dance form too often debased in local performances. A beautifully integrated program showcased her consummate artistry and the considerable talents of her company.
The contrasting moods and rhythms of "Solea" displayed Benitez's stylistic and dynamic range. Slow and sultry in an undulating promenade entrance, fast and furious in the footwork, daring in an emphatic back-slanted pose, she was always in complete command.
Manolo de Cordoba's "Farruca" held as much drama in the slow upswing of an arm as in a sudden lunge to one knee. In bearing as well as technique, he embodied the austere beauty of his tradition.
