Advertisement
YOU ARE HERE: LAT HomeCollections

Sigourney Weaver: 'Just Call Me Rambolina'

July 13, 1986|DEBORAH CAULFIELD

Move over Clint; get lost Sly; make room for the newest, baddest toughie on the block--actress Sigourney Weaver.

Clint and Sly may have come across some pretty heavy slimeballs in their time, but the disease that this babe cures comes in the form of gigantic, man-eating, alien monster-things.

And boys, she made these aliens' day with not one but three futuristic Russian AK-47-type jobs that fire millions of rounds a second and even launch grenades.

"Just call me Rambolina," Sigourney Weaver deadpanned, attempting a momentary macho glare that broke quickly into a grin. Dressed in a yellow sun dress, the elegant actress looked anything but tough as she humorously acknowledged what may become one of her most memorable performances in "Aliens." Weaver was in town from her New York home to promote the film, ehich opens Friday.

In the sequel to "Alien" (director Ridley Scott's 1979 science-fiction classic about a murderous extraterrestrial that runs amok on a spaceship), Weaver takes on a planetful of the hungry, nightmarish beings with a spectacular arsenal of high-tech weaponry.

"Aliens" was directed and written by James Cameron, who directed and co-wrote "The Terminator" (with Gail Ann Hurd) and also co-wrote "Rambo" (with Stallone). Under Cameron's direction, Weaver emerges as a one-woman army (a la Stallone, Schwarzenegger, Chuck Norris et al.)--who, unlike the aforementioned, also delivers far more than one-word dialogue.

Favorable early reviews (Daily Variety called Weaver's performance "smashing," describing it as "one of the great female screen roles of recent years") and enthusiastic industry screenings have distributor 20th Century Fox anticipating another hit on its hands (the original grossed more than $100 million in worldwide box office in 1979).

The sequel took an unusual six years to make it to the screen and, at first, it seemed that it would make it without Weaver. "Alien" had been her big-screen debut and the actress--who was told during her stint at Yale Drama School that she didn't have the talent to pursue an acting career--had more or less abandoned further dramatic encounters with monsters (her role in "Ghostbusters" notwithstanding).

"My answer when I was first approached about the sequel was no," Weaver recalled. "I thought, why do something that has already been done? I wasn't very keen on it at all, especially since David Giler, Walter Hill (the producers, with Gordon Carroll, on the first "Alien"; the three are executive producers on the sequel) and I had joked about it for so long. David once said to me, 'Well, if we ever do the sequel and you cooperate, you can be in the picture. If you don't, they will open your hypersleep capsule lid (where crew members in the "Alien" spaceship slept away light years) and you will dissolve into dust!'

"It was always a joke and I think it took someone as confident as Jim (director Cameron), with as different a vision from Ridley's, to attempt it."

Cameron (who at the time had not yet directed "Terminator"), however, was adamant that the actress be involved in the sequel.

"He told me that the story was primarily about what happened to my character and said he wouldn't do the film without my participation. I think that showed a loyalty that is quite unusual in this business."

Weaver knew that her character would never want to see another alien again "but Jim had given me a set of circumstances in the beginning that explained it. Ripley is 57 years out of her own time (having hibernated until a deep space salvage crew found her drifting space ship); her family is dead; she loses her job and her license to work, and is a broken person because of this.

"The story was about someone who has to regroup, who goes back (to fight the aliens) because if she stays inside her room, she knows she will slowly unravel. So I go back for cowardly reasons."

As she spoke, it became easy to see why Weaver is sought after by film makers and Broadway producers with an "intelligent woman" role to cast. Not only is she intelligent (she majored in English at Stanford before attending Yale) and unpretentious, she possesses a quick wit and a well-developed sense of humor. Those qualities have come to the screen in "The Year of Living Dangerously" and "Eyewitness" and on Broadway in "Hurlyburly" (for which she received a Tony nomination). For the past year, Weaver lived in Europe, where she filmed "Aliens" and the coming "Half Moon Street" and the French film "One Woman or Two."

Her marriage to avant-garde theatrical director Jim Simpson (who directed such shows as "Chopin in Space") reflects both that humor and a desire not to be entirely immersed in Hollywood mainstream commercialism. She never intended to be an actress, but did recall her first stage role, at 6, when she played the Cheshire Cat in the school production of "Alice in Wonderland."

Advertisement
Los Angeles Times Articles
|
|
|