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Pop Singer Hits Right Notes With Head Trauma Center

November 27, 1986|MIKE WYMA | Wyma lives in Toluca Lake. and

The thick, shiny chain around Jan Berry's neck is gold, just the sort of adornment one might expect for a surf-music pioneer who is riding a wave of revived concert popularity. The tinny-looking bracelet on his left wrist, however, is something different--a Medic Alert band that lists the medicine Berry should be given if he suffers a seizure.

The creative force in the early 1960s hit-making duo Jan and Dean, Berry suffered serious brain injuries one morning in 1966 when he lost control of his speeding Corvette and slammed into the back of a parked truck. The accident happened just off Sunset Boulevard in Beverly Hills, about a mile from the spot the pair sang about in one of their biggest hits, "Deadman's Curve."

Learning How to Walk Again

The road back has been a long one for Berry, now 45. In the first years of recovery he had to relearn speaking and walking. His conversation remains halting at times, he limps and his right arm and hand are partially paralyzed. He has no vision out of the left side of each eye. Before Jan could return to performing, he spent hours relearning words to songs he had written.

"At concerts I hit the lines pretty good," he said in an interview at the Jan Berry Center for the Brain Injured, which is expected to open in January. "I miss a line now and then, but it's OK."

The center in Downey is an outgrowth of Berry's many trips to doctors and therapists at nearby Rancho Los Amigos Hospital. While there, he began visiting other head-injury victims and did two benefit performances for projects run by Disabilities Unlimited Inc., a private company that administers government-funded rehabilitation programs. When company officials landed state and federal grants to open a vocational center, they asked Berry to play a part.

"Most brain-injured people are like Jan," said Brian Sullivan, coordinator of the Jan Berry Center. "Before their injuries they were living productive lives, working or going to school. What we want is to find something that interests them, then find something they can do in that field. Someone who was working on a 3.5 average at UCLA before he was injured isn't going to be too excited about playing with blocks."

Sullivan, 24, said six to eight students will use computers, video equipment and dance therapy to treat such complications of brain injury as aphasia, a loss in ability to use words. The center, across the street from Rancho Los Amigos Hospital, is assured of $225,000 annually for two years, officials said, with most of the money coming from the federal Department of Education. Students will attend free of charge.

According to Sullivan and other members of the center's staff, Berry's recovery was slowed by the absence of good rehabilitation techniques. They, along with Berry's family and his singing partner, Dean Torrence, agree that a strong desire to perform again is what helped him most.

"I was a baby," Berry said of the first years after the accident. As he spoke, his eyebrows remained lifted in the manner of someone straining to find the right word. "But I've always loved rock 'n' roll. So I was practicing with the lyrics."

He also was staying in touch with Torrence.

"Jan called every week, wanting to perform again," said Torrence, 46. "I encouraged him, but in the back of my mind I'd say, 'It's never going to happen.' He was in too bad a shape."

Torrence readily concedes that Berry was the driving force behind the duo's success, which began with "Baby Talk" in 1959 and included the other Top-10 hits "Surf City" and "Honolulu Lulu" in 1963 and "Deadman's Curve" and "Little Old Lady From Pasadena" in 1964.

"Sometimes Jan did 80% of it and sometimes 60," Torrence said of the writing and arranging of their music, "but he never did less than 60%. He was a real technician and he was definitely the ambitious one of the bunch."

After Berry's injury, Torrence, a USC advertising design graduate, started a graphics business that he ran from the middle 1960s to the late 1970s. He explained why, by 1978, he was ready to try a pop music comeback.

"I was making a fairly good living, but 30% of my billing just disappeared," he said. "People didn't pay. Also, most of my stuff was music related, and in the '70s record companies were going through tight budgets. There wasn't enough money to do work the way I wanted to do it."

By now the ever-impatient Berry had stopped waiting and gone on the road with other partners, billing the act as Jan and Dean. Torrence, meanwhile, worked as a consultant on the 1978 television movie "Deadman's Curve" and performed a few times with a San Jose surf revival band.

"I felt the first little ripple of what's going on now," he said, referring to the oldies craze. "I didn't want to play for just the over-30 crowd, but I found out that teen-agers were coming out for the music. In 1978 Jan and I toured with the Beach Boys to test the waters. It went OK, and in '79 we became Jan and Dean again. That went along fine until he got on drugs."

Fake Drug Bust

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