History was not made in the breakfast room of Ariel and Will Durant's Hollywood Hills home.
According to their granddaughter, Monica Mehill, the celebrated historians left scholarship behind when they dined in the hexagonally shaped room. It was a room with a view of the Hollywood skyline, fruit trees, and birds and deer in the foreground. It became their retreat.
Six years after their deaths, the Spanish Colonial-style house is once again for sale. Jodi Hodges, a broker with Hoover Realtors, has the $1.1-million listing.
When the Durants lived there, on a typical morning her grandfather came down a dramatic, wrought-iron-railed staircase at about 6:30 a.m., and headed for his standard whole-wheat bread and grapefruit breakfast, Mehill recalled. Ariel remained upstairs in a large master suite. After he'd put on a three-piece suit, Will greeted Ariel at 8 a.m. in their ground-floor study.
The billiard room upstairs, long their office, was retired as such after they determined not to go up and down the stairs more than once a day.
They made history on the dining room table, where Ariel spread scraps of color-coded paper, covered with Will's thoughts on the eras that extended from "The Age of Faith" to "Rousseau and Revolution." The first three volumes of "The Story of Civilization" had been written in their native New York.
At lunch time, Sarah, Mary and Flora Kaufman came from homes on Franklin Avenue to join their sister Ariel, who had changed her name from Ida when she married Will in 1913.
Sometimes brother Harry joined them, while other times, the Durants' daughter, Ethel Benvenuta, visited her parents. She was raising her daughter, Monica, in the same Hollywood neighborhood.
Will didn't eat much lunch, preferring to spread a magazine on his bookstand and tune out his in-laws.
The historians returned to the adjacent office and dining room, working until 3 p.m.
Then Ariel would put on her gardening gloves, and dig into their 1-acre spread. Will took a daily constitutional down the hill to Cheremoya Avenue Elementary School, which his granddaughter attended.
After he escorted her home, he returned to the house on Briarcliff Road, and worked with his wife on the history until well after dark. They dined lightly in the breakfast room and went to bed.
Ariel ceased to eat when Will became a heart patient at Cedars-Sinai Medical Center. On Oct. 25, 1981, she died at the age of 83. He died two weeks later at 96.
So well known was their enduring 70-year relationship that when Times cartoonist Paul Conrad depicted them in heaven, with Ariel wearing a gown and roller skates, it did not need to be explained that she had roller skated to their wedding 68 years before.
She Married at 15
As the obituaries pointed out, she was 15 when she left her family in Harlem and skated to New York City Hall, where her teacher-bridegroom waited.
After the wedding, they struggled financially until 1926, when Will's "The Story of Philosophy" became a best seller and presaged what would happen with their 11-volume civilization series.
The Durants had different faiths; she was a Russian Jew, and his Catholicism sprang from French-Canadian roots.
"It was our differences that made us grow," Ariel told her granddaughter.
They had moved to "The Oaks" neighborhood in 1943, where they discovered one of a dozen massive Mediterranean houses that had been built on speculation in the early 1920s.
Sales brochures uncovered by Ruth Solner, the historian of the Hollywood Hills Improvement Assn., reveal that the area was first known as "Ponet Terrace."
Victor Ponet, a Belgian, established his country's consulate here, and founded the German American Savings Bank. An undertaker also, he was one of the founders of Evergreen Cemetery.
The Oaks area is still popular with physicians and celebrities. In the latter group, Pee Wee Herman, Mario Machado, Jane Withers and Elvira are residents.
Three homes have been granted historic-cultural monument status by the city. The 1928 Samuel Navarro house, designed by Lloyd Wright, sprawls over a canyon floor where Valley Oak Drive meets Verde Oak Drive. The Taggart house on Black Oak Drive is another late 1920s Wright design.
The third, the Morgan Arzner house on West Live Oak Drive, has a row of Ionic columns and a garden of cactus. It was built by pioneer film director Dorothy Arzner and dancer Marjorie Morgan. According to the present owner, Dr. James Wiegerink, who is restoring it, the house contains all its original architectural elements, from friezes to 1930s-vintage light fixtures.
The area has the architectural diversity of the city as a whole, from the sedate work of Paul Williams and Wallace Neff, to the more innovative houses of Gregory Ain and John Lautner. Research is being conducted by Solner to learn the name of the architect/builder who constructed the almost two dozen original Spanish Colonial-style homes, including the Durants'.