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POP MUSIC : Digging Out of the Dirt : Tales of drugs and personal torment shadowed Alice in Chains, but the Seattle band has emerged from the 'Lollapalooza' tour with renewed energy and a vow that it isn't splitting up

August 01, 1993|KATHERINE TURMAN | Katherine Turman writes about pop music for Calendar.

Even before the final verdict comes in on which band made the strongest showing on the "Lollapalooza" tour, Alice in Chains has won a personal victory of sorts.

In the weeks before the summer's most celebrated tour was launched on June 18, there was widespread speculation that its star attraction--the latest of the visceral, riff-heavy bands from Seattle to hit rock 'n' roll pay dirt--was a shambles.

The speculation about the band's self-destructiveness began even before the group canceled several concerts on its spring U.S. tour and its later European dates with Metallica. The official reason: the "exhaustion" of lead singer and chief gloomist Layne Staley.

But the cancellations really ignited the rumor mill as fans and industry observers wondered whether Staley hadn't become a living illustration of the band's dark, troubling tales about drugs and personal torment.

Why the cancellations?

"We were pretty much exhausted and Layne bottomed out," said bassist Mike Inez, the most talkative member of the sometimes tight-lipped band.

"We'd been through Europe nonstop, had done work on the ("Last Action Hero") soundtrack, the U.S. tour . . . and we would have only had one day off to fly from London to Vancouver to start 'Lollapalooza' if we'd done the Metallica shows. Something had to give."

Still, it's easy to see how those rumors could start. Rolling Stone magazine described the group's current "Dirt" album as "a sustained, unflinching meditation on heroin addiction."

Indeed, lyrics to such songs as "Junkhead" refer to drugs in no uncertain terms:

A new friend turned me on to an old favorite

Nothing better than a dealer who's high

Be high, convince them to buy.

Other songs, though not drug-themed, are no less potent or pointed. In "Angry Chair," singer Staley moans:

Loneliness is not a phase

Field of pain is where I graze

Serenity is far away.

Even "Lollapalooza" executive producer Ted Gardner acknowledges that he had some trepidation regarding the band's reliability, but it was quickly put to rest.

"There are those wonderful people in this business called industry insiders who were predicting the demise of the band during the tour, but that obviously has not been the case," he said.

"Due to their manager, Susan Silver, and especially to Layne, who has seen the responsibility on his shoulders and tackled the task admirably, there haven't been any problems with the band. Their performances are beyond people's expectations."

Whatever the old problems, Alice in Chains has clearly emerged from the "Lollapalooza" tour--which ends with dates Friday and Saturday at the Santa Fe Dam Recreation Area in Irwindale--with mostly positive marks.

"I'm having a great time," said Staley, reporting from the road. "I didn't want another boring old tour. We've made a lot of good friends and we're playing in the sun."

And what about all those people betting that the band's end is just around the corner?

Said Staley: "We're recording another EP, for release around mid-October, and then around Christmas we'll start recording our third album. . . . The band's not breaking up, so that rumor is stumped into the ground."

When bassist Inez joined Alice in Chains in January, replacing tour-weary founding member Mike Starr, it was as if he'd jumped onto a runaway train. But Inez, who met the band while he was in Ozzy Osbourne's band, writes it off as part of the rock 'n' roll circus.

"We're four young guys on the road with the whole world by the balls," he observed. "We're like a pack. Whatever we want, we get. We wake up and we're like, 'What do we want today?' Whether it's food or girls or drugs or whatever, everything is there for you."

For Inez, it's been a whirlwind ride. For the rest of the band, it has sometimes been a tense grind, punctuated by a 1991 Grammy nomination for best heavy-metal performance, movie cameos (in 1992's "Singles") and other perks that come with success.

When the band began in Seattle in 1987, its goal was more modest, according to guitarist Jerry Cantrell: "Let's get a band, let's write some songs, let's play some clubs so we can get beer and women."

When the Seattle music scene began to explode in popularity in the late '80s, Alice in Chains was considered strictly a metal band and wasn't embraced by such alternative hotshots as Nirvana, Soundgarden and Mother Love Bone or their fans.

"Though the band will argue this point, they were a full-on glam band, Poison Jr.," noted Jeff Gilbert, who booked some of the group's shows in its early days and is now a senior editor at Seattle magazine the Rocket.

The band's sound eventually evolved in a heavier direction, Gilbert said, and it was that sound that got Alice signed to Columbia Records in April, 1989. The band released an EP, "We Die Young," in June, 1990, followed by a full-length album, "Facelift," that August.

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