Producer of the Year: David Foster--"Completely" (Michael Bolton), "The Day I Fall in Love (Love Theme From 'Beethoven's 2nd')" (Dolly Parton and James Ingram), "Dream Away" (Babyface and Lisa Stansfield), "I Swear" (All-4-One), "I'd Give Anything" (Gerald Levert), "The Power of Love" (Celine Dion), "Timepiece" (Kenny Rogers), "Why Goodbye" (Peabo Bryson); Trevor Horn--"Seal" (Seal); Jimmy Jam and Terry Lewis--"Africa to America; The Journey of the Drum" (Sounds of Blackness), "And On and On" (Janet Jackson), "Choose" (Color Me Badd), "Everything Is Gonna Be Alright" (Sounds of Blackness), "Make Him Do Right" (Karyn White), "On Bended Knee" (Boyz II Men), "The Right Kinda Lover" (Patti LaBelle), "Turn It Up" (Raja-Nee), "Who's the Mack" (Ralph Tresvant); Brendan O'Brien--"Necktie Second" (Pete Droge), "Purple" (Stone Temple Pilots), "Vs." (Pearl Jam); Don Was--"BackBeat: Original Motion Picture Soundtrack" (Don Was Band); "Backbeat: Music From the Motion Picture" (Backbeat Band); "Blinded By Rainbows" (The Rolling Stones); "Dreams in Motion" (Felix Cavaliere), "I Go Wild" (The Rolling Stones), "Longing in Their Hearts" (Bonnie Raitt), "Love Is Strong" (The Rolling Stones), "(Meet) The Flintstones" (B-52's), "N'ssi N'ssi" (Khaled), "Rhythm, Country + Blues" (various artists), "Voodoo Lounge" (The Rolling Stones), "You Hung the Moon" (Patty Smyth).
Best Classical Engineered Recording: "Bartok: Concerto for Orch.; Miraculous Mandarin (Complete)," William Hoekstra, engineer (Leonard Slatkin, artist); "Copland: Music for Films ('The Red Pony'; 'Our Town,' Etc.)," William Hoekstra, engineer (Leonard Slatkin, artist); "Debussy/Ravel/Dutilleux: Quartets," Bud Graham and Charles Harbutt, engineers (Juilliard String Quartet, artist); "Mozart: Cosi Fan Tutte," Jack Renner, engineer (Sir Charles Mackerras, artist); "Szymanowski: Stabat Mater; Litany to the Virgin Mary, etc.," Mike Hatch, engineer (Simon Rattle, artist).
For the Record
Los Angeles Times Tuesday January 10, 1995 Home Edition Calendar Part F Page 5 Column 3 Entertainment Desk 2 inches; 40 words Type of Material: Correction
Nirvana album-- Nirvana's "MTV Unplugged in New York" was not eligible for a 1994 Grammy nomination because it was released after the Sept. 30, 1994, Grammy deadline. A commentary in Friday's Calendar suggested that the album, which was released on Nov. 1, should have been nominated.
Classical Producer of the Year: Anna Barry--"Evening Star--The Rachmaninoff Vespers" (Nikolai Korniev), "Rachmaninoff: Sym. No. 2, Op. 27" (Valery Gergiev), "Songs and Dances of Death (Works of Rimsky-Korsakoff, Borodin, etc.)" (Dmitri Hvorostovsky), "Songs of Love and Desire--Italian Bel Canto Arias" (Dmitri Hvorostovsky), "Tchaikovsky: Eugene Onegin" (Semyon Bychkov); Andrew Cornall--"Copland: Grohg; Hear Ye! Hear Ye!; Prelude" (Oliver Knussen), "Mahler: Sym. No. 2 'Resurrection' " (Herbert Blomstedt), "Messiaen: Turangalila-Symphonie" (Jean-Yves Thibaudet), "Sessions/Harbison: Symphonies, etc." (Herbert Blomstedt), "Strauss: Ein Heldenleben; Metamorphosen" (Herbert Blomstedt); Wilhelm Hellweg--"Berlioz: Messe Solennelle" (John Eliot Gardiner), "Faure: Requiem; French Choral Works of Debussy, Ravel, etc." (John Eliot Gardiner), "Stravinsky: Oedipus Rex" (Seiji Ozawa); Judith Sherman--"Beethoven: String Quartets, Opp. 132 and 133" (Muir String Quartet), "Brahms: String Quartets in C Min. and A Min." (Cleveland Quartet), "French Piano Trios (Works of Saint-Saens, Debussy & Faure)" (Golub/Kaplan/Carr Trio); Max Wilcox--"American Contemporaries (Works of Harbison, Wernick & Schuller)" (Emerson String Quartet), "Barber: Secrets of the Old--The Complete Songs" (Cheryl Studer and Thomas Hampson), "Dvorak: Piano Quintet, Op. 81; Piano Quartet, Op. 87" (Emerson String Quartet & Menahem Pressler), "Goethe Lieder (Works of Schumann, Schubert, etc.)" (Dawn Upshaw).
Best Classical Album: "Barber: Secrets of the Old--The Complete Songs," Thomas Hampson, baritone; Cheryl Studer, soprano; Wolfgang Mitlehner and Max Wilcox, producers (John Browning, piano; Emerson String Quartet); "Barber: Violin Con./Korngold: Violin Con., etc.," Gil Shaham, violin; Andre Previn, conductor; Christian Gansch and Werner Mayer, producers (London Symphony Orch.); "Bartok: Concerto for Orch.; Four Orchestral Pieces, Op.12," Pierre Boulez, conductor; Karl-August Naegler, producer (Chicago Symphony Orch.); "Debussy: Preludes (Books I & II)," Krystian Zimerman, piano; Helmut Burk, producer; "Mahler: Sym. No. 2," Herbert Blomstedt, conductor; Andrew Cornall, producer (San Francisco Symphony Orch.; San Francisco Symphony Chorus; various artists).
Best Orchestral Performance: "Bartok: Concerto for Orch.; Four Orchestral Pieces, Op.12," Pierre Boulez, conductor; Chicago Symphony Orch.; "Beethoven: Nine Symphonies," John Eliot Gardiner, conductor; Orch. Revolutionnaire et Romantique (The Monteverdi Choir; various artists); "Copland: Grohg; Hear Ye! Hear Ye!; Prelude," Oliver Knussen, conductor; the Cleveland Orch.; London Sinfonietta; "Ives: A Set of Pieces (Three Places In New England; Sym. No.3, etc.)," Orpheus Chamber Orch. (Gilbert Kalish, piano); "Messiaen: Eclairs Sur L'Au-Dela . . . ," Myung-Whun Chung, conductor; Orchestre de l'Opera Bastille.