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A Closer Look at Older Men, Younger Women

Commentary: May-December romances in cinema are not abating because audiences buy into the double standard. (Oh, and, of course, there's the vanity issue.)

June 19, 1998|RICHARD NATALE, SPECIAL TO THE TIMES

For Douglas to have a 35-year-old daughter was a stretch, though no more of an acting challenge than for him to have a 25-year-old wife. But it would have changed the audience's perception of him. The fear is once you've crossed that line, you can't go back. Viewers wanted to believe that a 55-year-old Ford rescued his young daughter by acting like a Green Beret in "Air Force One." Would anyone have thought him capable of such derring-do if he was trying to save his 7-year-old granddaughter?


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It's not that these actors are no longer virile or heroic. There are probably few 60-year-old men who wouldn't trade places with Redford or even Connery. But for that matter Streep, Close, Goldie Hawn and Sarandon have also matured beautifully and they all complain how difficult it is for them to find good roles at all, much less romantic assignments.

There are exceptions. Not that long ago Sarandon heated up the screen when she seduced both Tim Robbins (12 years her junior) and Kevin Costner (who's nine years younger) in "Bull Durham." (However, her most recent love interest was 73-year-old Paul Newman.) Rene Russo, who is on the other side of 40, still generates sparks opposite slightly younger leading men like Mel Gibson in the "Lethal Weapon" movies and Costner in "Tin Cup." At age 48, Sigourney Weaver was a more than credible action hero in "Alien: Resurrection" (although she was given no romance).

But when Barbra Streisand, then 53, strutted around like a schoolgirl in "The Mirror Has Two Faces," she was mocked. It's not that the attraction between her and Jeff Bridges (only seven years her junior) was out of whack. It was her adolescent behavior toward romance. That a woman in her 50s would still moon like a schoolgirl made her appear immature and rather ridiculous. It also deprived the audience of a better story--how a middle-aged woman copes with her own self-image.

And that gets to the heart of this male Peter Pan behavior pattern. It's easy to believe that a 60-year-old man would be attracted to Halle Berry or Gwyneth Paltrow. What's not to like? They're beautiful and intelligent. The more important question is why a 60-year-old man is chasing the same obscure object of desire as he did at age 25. What does that say about him? And what does it say about the audience? The answer to those questions would make a great movie. In fact, Blake Edwards already made that film. It was called "10."

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