I was a little Spokane Indian boy who read every book and saw every movie about Indians, no matter how terrible.
I'd read those historical romance novels about the steroidal Indian warrior ravaging the virginal white schoolteacher.
I was a little Spokane Indian boy who read every book and saw every movie about Indians, no matter how terrible.
I'd read those historical romance novels about the steroidal Indian warrior ravaging the virginal white schoolteacher.
I can still see the cover art.
The handsome, blue-eyed warrior (the Indians in romance novels are always blue-eyed because half-breeds are somehow sexier than full-blooded Indians) would be nuzzling (the Indians in romance novels are always performing acts that are described in animalistic terms) the impossibly pale neck of a white woman as she reared her head back in primitive ecstasy (the Indians in romance novels always inspire white women to commit acts of primitive ecstasy).
Of course, after reading such novels, I imagined myself to be a blue-eyed warrior nuzzling the necks of various random, primitive and ecstatic white women.
And I just as often imagined myself to be a cinematic Indian, splattered with Day-Glo Hollywood war paint as I rode off into yet another battle against the latest actor to portray Gen. George Armstrong Custer.
But I never, not once, imagined myself to be Tonto.
I hated Tonto then and I hate him now.
However, despite my hatred of Tonto, I loved movies about Indians, loved them beyond all reasoning and saw no fault with any of them.
I loved John Ford's "The Searchers."
I rooted for John Wayne as he searched for his niece for years and years. I rooted for John Wayne even though I knew he was going to kill his niece because she had been "soiled" by the Indians. Hell, I rooted for John Wayne because I understood why he wanted to kill his niece. I hated those savage Indians just as much as John Wayne did.
I mean, jeez, they had kidnapped Natalie Wood, transcendent white beauty who certainly didn't deserve to be nuzzled, nibbled, or nipped by some Indian warrior, especially an Indian warrior who only spoke in monosyllables and whose every movement was accompanied by ominous music.
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In the movies, Indians are always accompanied by ominous music. And I've seen so many Indian movies that I feel like I'm constantly accompanied by ominous music. I always feel that something bad is about to happen.
I am always aware of how my whole life is shaped by my hatred of Tonto. Whenever I think of Tonto, I hear ominous music.