Advertisement
(Page 2 of 2)

In the Morrison Family, the Daughter Also Rises

Pop music Van's Shana brings a crisp new CD and a solid handle on blues, country and soul to Newport Beach on Sunday.

February 13, 1999|MIKE BOEHM | TIMES STAFF WRITER

"I think he's a very introverted person," Shana said of her father. "My grandfather [who died in 1988] is the extreme; my dad is not even comparable to him. Maybe it's hard for him to open up to complete strangers; I don't know exactly what it is. It's definitely not just when it's time for an interview. He's just a very inward, thought-driven person."

As Shana reached her teens, Van Morrison moved to London, his parents returned to Northern Ireland and she joined her mother in Los Angeles. "Gladys," the most poignant song on her album, begins with a memory of the parting: "Gladys hides her sadness/In a small cigar box her daddy left behind so long ago."

"I actually do have a cigar box of my dad's that was left when he moved out of his house in Sausalito. . . . It's where I keep my keepsakes and stuff."

Singing in Musicals, Choir Laid Foundation

Shana sang in high school musicals and in college choir while attending Cal State Northridge. Her mother, who was pitching songs to Top 40 artists in the 1980s, commandeered her as a demo singer. Shana learned vocal and stylistic dexterity trying to make her mother's efforts sound like the latest hits. But that close-up glimpse of the struggle and uncertainty of the music business made her shy away from a performing career.

"My mom would drive me crazy, writing songs and doing demos. I would be like, 'God, what a life. She never leaves the house and never gets a paycheck.' She had her studio in the house and wound up never leaving."

Shana decided that finance and law would be better. Her father, a veritable geyser of malice toward the music business, was blunt when informed of the prospect of his daughter in pinstripes: "He said, 'Why do you want to do business? Business people are [expletive].' "

Van Morrison arrived on the Pepperdine University campus for Shana's graduation in December 1993, a knight in artistic armor--or so we can only speculate, since our request for a few moments on the telephone with him was predictably futile--bent on the chivalry of saving his beloved damsel from the dungeons of industry.

"We had that fatherly-daughterly conversation. Did she have a job lined up? No? Then how about joining his band? It was completely out of the blue," she said--and welcome.

"I was so burned out from sitting in front of a computer. I wanted to do something creative."

She thinks her father may have been encouraged by the heightened interest she showed for his music during 1993--a result, she said, of his hiring Brian Kennedy, a Belfast-raised singer she befriended and recommended to her dad while spending a college year in London.

Her father can be a stern musical master, but she had special status.

"He's very demanding, very critical. There's a tension about it, and people know you [have to] be consistent and also . . . able to be experimental . . . otherwise, you're gone. I didn't really feel that pressure . . . I felt he was being more supportive to me because he wanted to encourage me and not scare me away."

After a year working steadily with her father--she has sung periodically with him since--Shana moved back to Marin County, got a day job as a paralegal and began singing in Claddagh, a Bay Area institution that plays rocked-up traditional Irish music.

She eventually formed her own band, Caledonia (what else?) with fellow Claddagh alumni. They built a solid club following in Northern California, and Shana's appearances on Van Morrison's records and shows helped them progress quickly. Shana, who manages the band, said several record offers came in; she was about to sign last year with a subsidiary of MCA that Dolly Parton was launching, but a corporate shake-up brought on by Seagrams' purchase of MCA derailed the deal.

Track From CD a Hit in Europe

"Caledonia," a collection of demos, came out independently last St. Patrick's Day and will be relaunched with national and international distribution next month.

Morrison and her band played their first Los Angeles showcase two months ago in hopes of attracting label interest. She has joined producer Narada Michael Walden for songwriting sessions in Hawaii and traveled periodically to Nashville to hook up with writing partners.

Her first big musical validation came last year when "I Spy," the lightly funky, instantly memorable leadoff track on "Caledonia," was recorded bilingually by a French singer and became a hit in Europe.

"Labels have told me it's a hit song, and it turns out it is," she said proudly. "I'm excited about it. I think if we do make a CD under a major label, we'll re-record that song properly, not in [a] bedroom."

Morrison said her band already does well enough with its gigs to sustain itself indefinitely.

"I would like to have a career singing. I enjoy doing it, I like the entertainment . . . and the creative aspect of it."

Last month, Shana sat in with her father as he played a series of shows in San Francisco.

"I told my dad, 'Nobody's singing soprano [backups]. I could do that.' He said, 'You're not a backup singer.' I only sing duets now. I guess I've been promoted."

In the family tradition, it seems that Shana Morrison has reached the point where it's too late to stop now.

* Shana Morrison and Caledonia play Sunday at Muldoon's, 202 Newport Center Drive, Newport Beach. 2 p.m. Free. (949) 640-4110.

Advertisement
Los Angeles Times Articles
|
|
|