As led by the estimable and adventurous JoAnn Falletta, the Long Beach Symphony can generally be counted on to deliver the goods, technically, and offer a surprise or two up the programming sleeve. That mandate was upheld Saturday at the Terrace Theater, even if the sum effect proved less than wholly satisfying. In a program devoted mainly to music with Jewish themes and/or by Jewish composers, intentions and orchestral execution were sometimes more solid than the material itself.
Saint-Saens' Bacchanale, from his opera "Samson and Delilah," is a fine enough concert-opening bonbon, but Karol Rathaus' incidental music for "Uriel Acosta" was, well, light and incidental. In the Symphonic Dances from "West Side Story," Sid Ramin and Irwin Kostal's arrangement doesn't quite make a convincing translation of Leonard Bernstein's musical theater writing to the concert stage. Jazz-based treatments such as Dave Grusin's arrangement, have made a stronger, more streetwise case for this work's validity as instrumental music.