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Versatile, Not Vain, That's Ron Eldard

Television * He likes 'playing a wide scope' of roles. His turn in 'Bash' can be seen on Showtime tonight.


Ron Eldard was caught in a yo-yo diet.

For his role in the 1999 off-Broadway production of "Bash," the normally fitness-conscious actor had stopped working out and let nature take its course to help emphasize his character's moral as well as physical flabbiness.

While still in that show, he was chosen to replace Kevin Anderson as elder son Biff, opposite Brian Dennehy's Willy Loman, in the hot Broadway revival of "Death of a Salesman." Because Biff is a former high school football star now earning his living as a farmhand, Eldard--a former Golden Gloves boxer--began working out again and trimmed himself down.

Then, with only about a week's turnaround--which is all he'd had initially--he rejoined "Bash" for its Los Angeles run last fall. On went the pounds again.

The 34-year-old actor smiles as he remembers his chameleonic transformation, which he enhanced on stage in "Bash" by wearing a bulky suit and stooping his shoulders. Some people who encountered him out of costume after the shows "were very confused, which I liked," he says.

Filmed for television at the end of the Los Angeles run, "Bash" reaches the small screen tonight, on pay cable channel Showtime. The three short plays by writer-director Neil LaBute ("Your Friends & Neighbors," the upcoming "Nurse Betty") also feature Calista Flockhart and Paul Rudd.

Eldard's turn in "Salesman" was seen on Showtime in January, and he returns to the stage with the Arthur Miller drama when it plays at Los Angeles' Ahmanson Theatre Sept. 20-Nov. 5.

The confluence of events should intensify the spotlight on this actor, who has amassed a long list of stage, television and film credits over the last decade yet hasn't reached the A-list of leading men.

"A lot of the actors I've always admired tend to have a wide range," Eldard says, elbows resting casually on a conference table at the Canon Theatre, where he performed in "Bash." "That's what interests me: playing a wide scope. But in the short haul, it can be confusing. I think people like to be able to put you in a box, or label you. I like to try to disappear more."

A rugged blond of Scottish and Irish stock, Eldard is probably best known for his recurring role as Shep during the 1995-96 season of the NBC drama "ER." The swashbuckling paramedic romanced Nurse Carol Hathaway, played by Eldard's real-life girlfriend, Julianna Margulies.

The next season, Eldard co-starred as a guy's guy--read: a complete Neanderthal--opposite Rob Schneider on the NBC sitcom "Men Behaving Badly." Also on TV, he gave chilling performances as an abusive stepfather in the 1996 Showtime movie "Bastard Out of Carolina" and as a World War II private hardened by battle in the 1998 HBO movie "When Trumpets Fade."

He Has Played Both Good Guys and Bad

On the big screen, he played a creepy killer in 1996's "Sleepers," the heroic mission commander in 1998's "Deep Impact" and an oversexed hockey player in 1999's "Mystery, Alaska."

"Death of a Salesman" director Robert Falls describes Eldard as a performer of "amazing simplicity and ease--you never catch Ron Eldard 'acting.' "

"Maybe," the director adds by telephone from Chicago's Goodman Theatre, where he is artistic director, "that's his curse as well as his strength," since talent that doesn't advertise itself can be all too easy to overlook.

Falls is convinced, however, that when the right role comes along, "Ron will have a great breakthrough and will become a star. I think he's one of the great actors of that age range."

LaBute agrees. "If [stardom] is what he's looking for, I wouldn't put anything past him," the "Bash" writer-director says from London, where he's readying a new movie. "But what I think the future holds is good work."

He notes that there aren't many actors of Eldard's stature who would have spent most of last year on stage instead of in higher-paying film or television projects. "I think he is in love with what he does, the craft of it," LaBute says. "He's interested in his connection with an audience, not a connection with a studio or a publicist or whatever. And that's the only connection that's worth having, really."

In each of the three short plays that constitute "Bash," a seemingly average person confesses to a dark deed. Eldard performs the last piece, in which a traveling salesman tells his story to an unseen stranger. Laughing nervously and trying a bit too earnestly to prove that he's an OK sort of guy, he comes across as a fairly typical family man who, under duress, once made a horrific decision.

"There's a sweetness to him," the actor says. "There's a discomfort with himself, that he tries not to burden you with. There's a gentleness.

"There's also the opposite side of all this," Eldard adds, laughing. "That's what's great about playing that guy, is that all that other stuff comes out too."

LaBute says he was knocked out by Eldard's ability to "seduce" the audience--"to find a facade of harmlessness that could lull an audience into a sense of safety, and then, very bravely, turn on them."

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