Up close and personal might be the best way to describe the concert by the Henry Mancini Institute Jazz Chamber Ensembles on Thursday night at UCLA's Schoenberg. After a three-week schedule dominated by larger ensembles--including the 80-piece HMI Orchestra--it was a pleasure to experience the playing of the Institute's talented young professionals in smaller, more intimate combinations.
Although the individual segments were relatively brief, each ensemble offering glowed with an impressive combination of youthful enthusiasm and technical proficiency. Jeremy Cohen's strings and rhythm section group included his well-crafted settings of the theme from "The Pink Panther" (one of Mancini's most popular numbers) and Dave Brubeck's "Blue Rondo a la Turk." Best of all, the individual string players all had brief opportunities to improvise--at varying levels of expertise, but with irresistible enthusiasm.
Lesa Terry also led a string ensemble, in her case with a rhythm section enhanced by hand percussion. Her program looked toward the South for inspiration, featuring Ernesto Lecuona's "Al Fin Te Vi" and a rendering of "Swing Low, Sweet Chariot" that shifted colorfully through African and Cuban rhythms.
Paul McCandless, perhaps best known for his work with the group Oregon, featured a pair of his compositions for woodwind ensemble: "Sarabande" and "All the Mornings Bring"--for woodwind ensemble. Adept on oboe, English horn, bass clarinet and saxophones, his understanding of the diverse timbral combinations possible from such a grouping resulted in some extraordinary textures, from the dark-toned combination of bass clarinets and bassoon to the playful, upper-register interplay of clarinet and oboe.