I slowed and stared. Could this be right?
Then I saw, amid a clump of weeds near the front door, a rusted wheelchair.
P.S. We have dogs.
Do they ever. A couple of creatures with matted hair emerged from some bushes and surrounded the car, scratching and howling.
Finally, an older woman in an old T-shirt and skirt emerged from the front door and shooed the dogs away.
"I'm Sarah's mother," said Lois Morris, grabbing my smooth hand with a worn one. "She's waiting for you inside."
I walked out of the sunlight, opened a torn screen door, and moved into the shadows, where an 87-pound figure was curled up in a creaky wheelchair.
Her limbs twisted. Her head rolled. We could not hug. We could not even shake hands. She could only stare at me and smile.
But that smile! It cut through the gloom of the cracked wooden floor, the torn couch, the broken, cobwebbed windows.
A clutter of books and boxes filled the small rooms. There was a rabbit living in a cage next to an old refrigerator. From somewhere outside the house, you could hear the squeaking of rats.
Eventually I could bear to look at nothing else, so I stared at that smile, and it was so clear, so certain, it even cut through most of my doubts.
But still, even then, I wondered.
This is Sarah Morris?
She began shaking in her chair, emitting sounds. I thought she was coughing. She was, instead, speaking.
Her mother interpreted. Every sound was a different word or phrase.
"Huh (I) . . . huh-huh (want to show) . . . huh (you) . . . huh (something)."
Her mother rolled her through a path that cut through the piles of junk, up to an old desk on cinder blocks.
On the desk was a computer. Next to it was a TV. Nearby was a Dodger bobble-head doll of uncertain identity.
Her mother fastened a head pointer around her daughter's temples, its chin-strap stained dark brown from spilled Dr Pepper. Sarah then began carefully leaning over the computer and pecking.
On the monitor appeared the Dodger Place Web site. Sarah used her pointer to call up a story. Peck by peck, she began adding to that story. It was her trademark typeface, her trademark Dodger fan prose, something involving Paul Lo Duca, about whom she later wrote:
" . . . Offensively, Lo Duca has been remarkable. Entering Friday's game, Lo Duca has batted .382 with five home runs and seventeen RBI. Last Tuesday Jim Tracy moved Lo Duca into the leadoff position. Since then, the Dodgers have won six and lost two. Lo Duca has an on-base percentage of .412. On Memorial Day Lo Duca had six hits, becoming the first Dodger to do so since Willie Davis on May 24, 1973. . . ."
She looked up and giggled. I looked down in wonder--and shame.
This was indeed Sarah Morris. The great Sarah Morris.
She began making more sounds, bouncing in her chair. Lois asked me to sit on a dusty chair. There were some things that needed explaining.
Times photographer Anacleto Rapping, who had been there earlier in the day, and I had been Sarah's first visitors since she moved here with her mother and younger sister from Pasadena nearly six years ago.
This shack was an inheritance from Sarah's grandmother. When Sarah's parents divorced, her mother, with no other prospects, settled here.
The adjustment from life in Southern California to the middle of scrubby field more than 30 miles from the nearest supermarket was painful. Sarah was uprooted from a town of relative tolerance and accessibility to a place of many stares.
The place was so remote, when her mother had once dropped Sarah, helping her out of bed, and called 911, the emergency crew couldn't find the place.
"But the hardest thing for Sarah was leaving her Dodgers," Lois said.
So, she didn't. She used her disability money, and loans, to buy the computer, the television and the satellite dish that allows her to watch or listen to every game.
She doesn't have any nearby friends, and it's exhausting to spend the five hours required for shopping trips to the nearest Wal-Mart, so the Dodgers fill the void.
They challenge her on bad days, embrace her on good days, stay awake with her while she covers an extra-inning game at 2 a.m.
She covers so much baseball, she maintains the eerie schedule of a player, rarely awaking before 10 a.m., often eating dinner at midnight.
Through the cluttered house, the path for not only her wheelchair, but for the entire direction of her life, leads from her bedroom to the kitchen to the Dodgers.
The air-conditioning sometimes breaks, turning the house into a steam bath. Lois totaled their aging van last year when she hit a black cow on a starless night, then missed so much work that they barely had enough money for food.
Yet, Sarah spends nine hours, carefully constructing an analysis of Gary Sheffield, or two hours writing about a one-run victory in Colorado.
I asked what her Dodger Web page represented to her.
I asked how she feels when working.