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Indulging a Love of Horseplay

Performing Arts

One of the founders of Cirque du Soleil goes back to his roots with 'Cheval,' an equine-based big-top show.

March 17, 2002|ELIZABETH KAYE MCCALL

This is the Year of the Horse, according to the Chinese calendar, a designation that will be underlined this week when Gilles Ste-Croix's "Cheval" gallops into Costa Mesa.

A new touring production, "Cheval," which means "horse" in French, mixes four-footed and two-footed performers with elaborate sets, costumes, lights and a bit of a story line into a form of in-the-round entertainment that's unusual, at least in North America. It's one in which a full-time blacksmith, equine massages, 200 pounds of carrots a week and specially blended arena footing figure into production logistics.

"When I started my show, I wanted to go back to the origin of circus," Ste-Croix says.

The director, 52, knows something about the art form. He's one of the founders of Cirque du Soleil. As that company's director of creation, he developed such shows as "O," now running in Las Vegas, and "Dralion," which just opened its second Los Angeles County run in Long Beach. Now a consultant for Cirque, he started "Cheval" in 2001, in part to pursue an interest that goes back to his childhood, growing up with horses on a farm outside Montreal.

"For the past 20 years, I've been making different circus shows, but more in the Asian way," he says. "The Chinese don't use animals in their shows. All the juggling with the foot and the plate and the contortion, it's all resting on the humans.

"'Cheval,' for me, is a way of bringing back the origin of [modern] circus, which was with horses, but putting it in the context of today, with an environment that technically is modern--a set which has lights through it, smoke effects, and all that put together with costume design and live music."

With a cast of 30 horses and 27 equestrian artists from around the globe, the $6-million production has an original score, a live orchestra and two female vocalists. Costumes, lighting and sets all have the flavor of Cirque productions, and many of them are created by Cirque collaborators.

For instance, the show unfolds beneath 69,513 square feet of hand-painted canvas designed by Cirque tent architect Guy St-Amour. In this case, however, the look is reminiscent of a Loire Valley castle. "It had to be unique. I wanted it to feel like you walked into a cathedral," Ste-Croix says.

Spectators enter the 1,500-seat big top via another tent, this one a stable, which allows them to get a backstage look at the featured horses as grooms ready them for the performance. Individual stall tags indicate each horse's name, theatrical resume and breed (there are 17 breeds, from draft horses such as Percherons and Belgians to quarter horses and Friesians, originally bred as carriage horses).

A loose narrative links 16 equine acts. An aspiring Romeo, portrayed by French Canadian comedian Christian Ferland, 36, must overcome his fear of horses to win a woman. "Cheval" opens with a scene of traveling performers following a horse-drawn wagon. A net filled with golden platters soars skyward, seemingly levitated by carriage lights.

Meanwhile, Ferland's clownish character roams the sidelines, occasionally trying to join in as one act follows another in the ring. The comedic element hits high gear in the second half when Ferland--who had no horse experience when cast--meets his equine thespian equal, Bohemio. A French-trained horse with movie credentials ("Lucky Luke," 1991), Bohemio sits down, rolls on his back and refuses to budge, while lovelorn Ferland tries every stratagem to get on his back.

In typical Cirque du Soleil fashion, however, "story line" is a relative concept, sometimes present, sometimes not. The main attraction here is the gathering together of a wide range of accomplished equestrian performers, mostly from European circuses and shows. Many have provided their own horses, and some are showcasing their own tricks for "Cheval." There is a bareback act starring five members of the Zamperla Zoppe circus family, of Italian heritage; 9-year-old Ermes tops a three-tier human pyramid on galloping horses. Cossack riders, who careen off onto moving horses at speeds of 32 mph, were choreographed by Moscow Circus veteran Igor Kassaev.

"Cheval" also showcases Caroline Williams, an eighth-generation circus performer and the 32-year-old niece of the late Ringling Bros. animal trainer Gunther Gebel-Williams. Born in Germany, where she trained in dressage, Williams plays Ferland's elusive love, enchanting him the moment he spots her in chartreuse riding dress aboard a glistening black Friesian horse. Never mind that she's being serenaded by a violinist as her horse circles and moves in an elegant passage--think springy trot with lots of attitude.

Williams' gift for communicating with horses shines during an extraordinary "liberty" act, which means that the horses aren't being ridden and aren't linked by a lead line. Wearing a strapless black gown and heels, she directs six bay Andalusian horses from center ring as they spin in pairs, change directions, form lines and move as one.

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