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Visionaries, for better or worse

TELEVISION

The crew of 'Eye on L.A.,' a precursor to today's 'reality' genre, bares its inner secrets.

November 03, 2002|Brian Lowry | Times Staff Writer

In that respect, "Eye on L.A." was a harbinger of things to come -- a show that unabashedly exemplified the "Just win" attitude programmers have come to adopt. Parlaying skin and celebrity into ratings, the show was not only a microcosm of L.A. in the 1980s but also a petri dish for the various strains of "reality" that have followed.

The producers who cut their teeth in that since-leveled bungalow, meanwhile, seemingly learned to laugh at the business' absurdities and not take themselves too seriously. Sure, they provide programs that critics often deride and networks sometimes seem to treat like unwanted stepchildren, but faced with the din of competition and criticism, they know how to make noise.

"KABC gave people what they really wanted to watch, not what people thought they wanted to watch," Nelson said. "The audience knew there was a P. T. Barnum aspect to it. It was done with a nudge-nudge, wink-wink. Everyone was in on the joke.

" 'Eye on L.A.' was many things, but it was not overthought," he said. "Los Angeles got the show it deserved."

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