Archive for Friday, January 24, 2003

Film location scouts shoot for a look of authenticity

• C’est fantastique

• The new realists By John Horn

• Making movies, making moves By Gina Piccalo

• Mind’s-eye view of nature By Christopher Knight

• The in-joke’s on us By F. Kathleen Foley

• ‘Darkness’ descends, despite all its energy By Kevin Thomas

• Controversial man, radical view on Sept. 11 By Kenneth Turan

• The big droll engine that could By Don Shirley

• Old Master fetches $28 million

• Black-and-white and wide all over By Susan King

• ‘The Disappearance at Comstock Hotel’ By Mike Mallory

• All the views that are fit to print (and then some) By Mark Sachs

• Star clients keep stylists on the run By Ellen Appel Olivier

• Poetry Corner

• Opening a new door to the world By John Clark

• Taking a fervent British ‘Road’ trip By Daryl H. Miller;david C. Nichols

• Making much ado about revising Bard By Philip Brandes

• ‘City of God’ an awakening for Brazil By Lorenza Munoz

• Tegan & Sara offer post-punk energy By Natalie Nichols

• One team dropped from NYC competition By Christopher Reynolds

• DJ voices in tune with the standards By Steve Carney

• For Schubert, distinction knows no boundaries By Josef Woodard

• ‘P.S.’ a bit lost in afterthought By Kevin Thomas

• ‘Slaughter Rule’ tosses metaphors like passes By Manohla Dargis

• The music’s difficult, so is the life By Don Heckman

• This gumbo is simply irresistible By Don Heckman

• Five Points’ blunt history By Kevin Canfield

• No sad songs for him By Al Martinez

• Festival looks at newer shows By Brian Lowry

• Cinematography, editing nominees By Lee Margulies

• Jokes & Riddles

• New playwright to have premiere By Mike Boehm

• Cry of the angry magicians By Brian Lowry

• Berlin festival films announced