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A Sense of Privacy Was Stolen With Stradivarius Cello

Los Angeles | Patt Morrison

May 18, 2004|Patt Morrison

So much is so utterly weird and mystifying about the Great Strad Snatch in Los Feliz last month that only now are all the oddities beginning to sink in:

The cellist was so beat one Saturday night that he unlocked his door and went on inside and to bed, forgetting that he'd left his boss' $3.5-million, 300-year-old Stradivarius violoncello right outside, which is where the thief found it the next morning.

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The thief made his getaway lugging a big, awkward silvery cello case on his bicycle. The only other big-time bike caper I can think of was the ride-by murder of Mickey and Trudy Thompson 16 years ago. I always found something especially poignant about a lifelong promoter of auto racing being killed by a couple of hit men on 10-speeds.

The LAPD's "Stolen Art" notice, deadpan as a wanted poster, shows front and back mug shots of the hot fiddle, and its vital statistics. Length: 30 1/2 inches. Color: golden brown. Identifying marks: original label stating Cremona 1684.

But the one that stopped me in my tracks was this:

The police had "released a videotape showing a young man on a bicycle ... making off with the cello."

Wait, hold it, achtung, stop right there.

It's just after dawn on an April Sunday, in a hillside neighborhood the real estate agents like to call "quiet and exclusive," and someone's doing a Rodney King cinema verite job on the theft of a bulky stringed instrument? I know we're all supposed to be movie-mad in this town but isn't this taking it a little too far?

(Actually, there is movie potential here, if you like slapstick -- and Mack Sennett, the original pie-in-the-eye, Keystone Kops director, who filmed his two-reeler comedies up in these hills. On the videotape, the fiddle thief rides out of frame and then, in a perfect off-camera moment, comes the sound of a smash-up as he evidently rides straight into some trash cans.

And for the bittersweet finale: Police announced last night that the wayward Strad had turned up over the weekend, alongside some other trash cans in Silverlake. It was noticeably cracked, a perfect Pyrrhic crime.)

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Three and a half mil. That's a half-million dollars more than the 2002 price someone I know paid for that big Jazz Age mansion down the street from Casa Cello. I've been to that house; it's fabulous, all right, but it's no Stradivarius.

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