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Poet's Corner

February 27, 2005|Carol Muske-Dukes

Jack

And Other New Poems


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Maxine Kumin

W.W. Norton: 112 pp., $23.95

Maxine KUMIN'S fierce connection to the Earth and to the lives of animals, to plain style and to her themes of peacemaking and remembering, make "Jack" a deep intensification of all that has come before in her work:

It isn't gunfire

that wakes me

but the rat-a-tat-tat

of hickory nuts raining

on the tin roof

of the trailer barn.

Still, this new volume gives the reader a perspective so broad and yet so stripped down, a voice so bold and unstinting, so filled with "elegy and rant" (as she characterizes one of her poems) that we recognize the weight of legacy on the page itself. ("Everything I leave behind me, hold fast. Keep dry.") Kumin is fearless, untroubled by fashion, stubborn, political, emphatic, concise and, at times, brutal. The (preserved) segregated lavatories in "Historic Blacksburg, Virginia" (designated Colored and White) require that the visitor end up "pissing down the same foul hole." Or from "The Rapist Speaks: A Prison Interview": "This time I had to kill to come. / Got enough? Take your notes and go home."

And nothing quite prepares us for her poem "The Jew Order" -- a startling revisionist moment involving Ulysses S. Grant and the poet's high school history class -- in which Grant's 1862 proclamation out of Oxford, Miss., "expelling all Jews as a class from Union territory" is witnessed by the young blacks and Jews in the mostly white classroom. (Lincoln "revoked the Jew decree / the same month he signed the Emancipation.")

An elegy for the century I was

born in

And outlasted somewhat to my

surprise.

An elegy for the two world wars

between which

I was born ...

"Let us celebrate," says Kumin, "whatever scraps the muse, that naked child, can pluck from the still-smoldering dumps." Her muse is the survivor, the last scavenger-angel. The poet W.S. Merwin was exhorted by his teacher, the legendary John Berryman, to get down on his knees everyday to a more familiar muse. Yet both visions of the giver of inspiration -- waif and all-knowing goddess -- link Kumin and Merwin's very different volumes and the spirit of inquiry informing them.

*

Migrations

New & Selected Poems

W.S. Merwin

Copper Canyon: 516 pp., $40

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