Arvo Ojala, a legendary Hollywood quick-draw expert and gun coach who appeared as the anonymous bad guy who loses the gun duel with James Arness' Marshal Matt Dillon in the opening of the long-running weekly TV series "Gunsmoke," has died. He was 85.
Ojala died of natural causes July 1 at his home in Gresham, Ore., his family said.
With an ability to cock his pistol, fire and reportedly hit his target in one-sixth of a second, Ojala was the go-to guy for learning the art of the fast-draw during the heyday of TV westerns in the 1950s and '60s.
Ojala, a stuntman and bit player who turned his skill with a six-gun into a lucrative business, manufactured his own patented, metal-lined fast-draw holsters that were used by countless sagebrush heroes and quick-draw competitors.
Among those who benefited from Ojala's quick-draw tutelage were Hugh O'Brian ("The Life and Legend of Wyatt Earp"), James Garner ("Maverick"), Ty Hardin ("Bronco"), Dale Robertson ("Tales of Wells Fargo") and Wayde Preston ("Colt .45").
Ojala also served as the gun coach on films such as "The War Wagon," "Silverado," "Three Amigos" and "Back to the Future Part III." Among his latter-day students were Kevin Kline, Michael J. Fox, Kevin Costner, Paul Newman and Robert Redford.
But it was his quick-draw duel with Arness' Dillon on a Dodge City street -- a fleeting appearance for which Ojala initially received $100 but which earned him thousands more in residuals over the years -- that he achieved a degree of small-screen immortality.
Despite Dillon's scripted victory over the black-hatted gunslinger in the opening, Ojala earned high praise from the show's star.
"There's no one faster with a gun," Arness, who received fast-draw pointers from Ojala, said in a 1959 Times story.
"He was the top gun, you might say," Hardin, who played western adventurer Bronco Layne for four seasons, told The Times last week. "He certainly had the knowledge and the background."
Ojala spent a great deal of time with Hardin on the set, showing him such things as where to position the holster so he could draw his revolver in one motion without reaching for it, and how to rapidly fire three rounds that sounded like one. They later worked on a ranch shooting live ammunition.
"I was a little leery of it," Hardin recalled. "I heard a story where someone shot the [gun] off before it left the holster."
