Getty Villa unveiling set for January

Admission will be free, but advance, timed tickets will be required for each visitor. Tickets will be available online at www.getty.edu or by phone at (310) 440-7300, beginning at 9 a.m. Thursday. The ticketing system -- like that used in the early years of the Getty Center in Brentwood -- will assure an evenly paced flow of visitors, Getty officials said. Also like the Getty Center, the Villa will have a parking fee of $7 per car, payable in cash only.

Plans for the reopening of the Villa have been clouded by controversy. Trust President and Chief Executive Barry Munitz's management style and financial expenditures are under scrutiny. Marion True, the Getty's longtime curator of antiquities and coordinator of Villa programs, awaits trial in Rome accused of conspiring to traffic in looted art. True has denied wrongdoing. She resigned this month after the Getty determined that she had violated trust policies by accepting a loan on a house in Greece with the help of an antiquities dealer.

Karol Wight, the Getty's former associate curator of antiquities, was appointed acting curator of antiquities.

But the Villa has long since established itself as a cultural landmark and popular destination, and the troubles are unlikely to stem the tide of visitors. Shuttered for renovation since 1997, the Villa has been expanded and reconfigured by Boston-based architects Machado and Silvetti Associates. New features include a 250-seat auditorium, a 450-seat outdoor theater and more space for staff and scholars, including conservation laboratories and additional parking.

The museum, which retains its original character, will house the Getty's 44,000-piece collection of antiquities, with about 1,200 works displayed. New galleries for temporary exhibitions will offer three inaugural shows: "Antiquity & Photography: Early Views of Ancient Mediterranean Sites"; "The Getty Villa Reimagined," tracking the Villa's history and recent development; and "Molten Color: Glassmaking in Antiquity," introducing a recently acquired collection of ancient glass.