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Comic book defenders do battle over censorship

The notion persists that all readers are kids, which places more restrictions on what characters can say.

Style & Culture

September 02, 2005|William Weir, Hartford Courant

Comics have gained a certain gravitas in recent years: Graphic novels get reviewed alongside conventional books, and universities offer courses on comic book theory. There has been a glut of news stories telling us of comics' newfound maturity.

The courts, though, have not adapted so readily.


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"We still have to deal with prosecutors who will look at a jury and say, 'Come on -- comics are for kids. Let's call a spade a spade,' " says Charles Brownstein of the Comic Book Legal Defense Fund.

It's a stigma, he says, that still causes problems for the industry when it comes to obscenity charges or arguing fair usage in copyright cases. That's why Brownstein's group has earned gratitude -- and often financial support -- from those in the comics world.

"Everyone's got to have his own advocate," says Frank Miller, who created the comic book "Sin City." "My comic book retailer down the street, he can't expect the ACLU to keep him in business over a fight over one comic book. This is a tribal thing; it's a familial thing, and every group has to take care of its own."

Brownstein, 27, took over as executive director of the Comic Book Legal Defense Fund three years ago. With a goatee and dark clothing, he looks like everyone's idea of a comic book aficionado, albeit one who rattles off case law at a dizzying clip. He previously was a journalist who started his own comics fanzine when he was 15. The law stuff he learned on the job.

With a three-person staff, the defense fund is run out of a small office on Madison Avenue in New York. They've recently moved operations from Northampton, Mass.

The nonprofit organization was founded by comic book artist Dennis Kitchen in 1986, more than 30 years after the industry's first major run-in with the authorities -- a Senate hearing on the destructive influence of comics on children. Things didn't go comics' way that day, and a restrictive Comics Code Authority was soon established. Ever since, comics and the law have had a strained relationship.

The field of comics law is littered with weird details. One landmark case involved two villainous half-human, half-worm brothers named Johnny and Edgar Autumn who graced the pages of DC Comics. They happen to look a lot like the musicians Johnny and Edgar Winter. Less than flattered, the Winter brothers sued in 1996 on such grounds as defamation and invasion of privacy.

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