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The presence of mind

Richard Powers' `The Echo Maker' probes humanity's very nature.

December 10, 2006|Kevin Berger | Special to The Times

RICHARD POWERS has no idea whether his fame spiked in America after he won the 2006 National Book Award for fiction last month. He didn't stay in the country long enough to find out. Four days after the New York ceremony, the 49-year-old Illinois novelist jetted to Germany for a week of auditorium readings and TV interviews. It was a trip scheduled not because his ninth novel, "The Echo Maker," had won the big award but because, he said from Frankfurt, "It's like I'm a rock star here."

Powers wasn't boasting. His tone, as he spoke from his hotel the day after Thanksgiving, was one of grateful amazement. His 2003 novel "The Time of Our Singing," a 650-page saga about race and classical music, sold 290,000 copies in Germany. In America, the gentle, erudite novelist has the critical status of a literary giant. (Novelist Margaret Atwood recently compared him to Herman Melville.) But his novels of ideas are seen as an esoteric taste here, and "Time of Our Singing" sold only 21,000 copies.

If any of Powers' novels can change his commercial fate here, it's "The Echo Maker." The novel speeds along like an intellectual thriller, a journey to the center of human identity. It begins late one night on a rural Nebraska road. "A squeal of the brakes, the crunch of metal on asphalt," and Mark Schluter corkscrews his pickup truck into a field. He emerges from the wreck with Capgras syndrome, a rare form of brain damage that severs his emotional connection to those he loved. His sister Karin, distraught that her brother fails to recognize her, spirals into her own despair. As she strives to nurse Mark's memory back to life, he becomes obsessed with finding the person who left a note on his hospital bed that reads, "GOD led me to you so You could Live and bring back someone else."

For The Record
Los Angeles Times Tuesday December 12, 2006 Home Edition Main News Part A Page 2 National Desk 0 inches; 24 words Type of Material: Correction
Powers' book: A profile of Richard Powers in Sunday's Calendar identified one of his books as "Galatea 2.0." The correct title is "Galatea 2.2."
For The Record
Los Angeles Times Sunday December 17, 2006 Home Edition Sunday Calendar Part E Page 2 Calendar Desk 0 inches; 25 words Type of Material: Correction
Powers' book: A profile of Richard Powers in last Sunday's Calendar identified one of his books as "Galatea 2.0." The correct title is "Galatea 2.2."

Alighting in Nebraska to examine Mark is New York neurologist Gerald Weber, reeling from a backlash against his popular books on the eccentricities of people with brain disorders. Powers based Weber on the celebrated neurologist Oliver Sacks, who has indeed been stung by reviewers. Left-wing flamethrower Alexander Cockburn compared Sacks to a tabloid writer -- "I meet monster from outer space with two heads" -- and Tom Shakespeare, a British disability-rights activist, punning on the title of one Sacks' bestselling books, labeled him "the man who mistook his patients for a literary career."

Hovering above the novel's trembling characters are half a million sandhill cranes ("echo makers," as Native Americans called them), which every winter settle on the thawing banks of Nebraska's Platte River. "Ribbons of them roll down, slack against the sky," Powers writes. "They float in from all compass points, in kettles of a dozen, dropping with the dusk." The cranes' annual riverine stopover, readers soon learn, may soon become a theme park.

Powers has cultural radar that is particularly attuned to science, and his novels that tap into genetics ("The Gold Bug Variations"), artificial intelligence ("Galatea 2.0") and virtual reality ("Plowing the Dark") read as prescient and beautifully written explorations of current events.

With "The Echo Maker," Powers dials into neuroscience, a topic now buzzing in mass culture. We are, after all, a nation of millions who manage our moods with prescription drugs that make our brain chemicals dance.

"Some days it seemed that every problem facing the species was awaiting the insight that neuroscience might bring," Weber muses. "Politics, technology, sociology, art: all originated in the brain. Master the neural assemblage, and we might at long last master us."

Powers said he was inspired to write "The Echo Maker" to challenge the mechanistic model. To research the novel, he joined the Beckman Institute's Cognitive Neuroscience group at the University of Illinois at Urbana-Champaign, where he also teaches literature. He took part in the group's research discussions and spent hours in conversation with the institute's memory specialists. Powers lives in Urbana with his wife, Jane Kuntz, a French professor and translator.

A man chooses his words carefully

IN conversation, Powers speaks like a careful writer, letting sentences loose only when they are fully formed. There are no long pauses in his delivery, though, as his mind runs at lightning speed. He writes the same way, he said. He composed "The Echo Maker" by dictating every word into a hand-held computer with voice-recognition software.

"We are always tempted to convert scientific observations into social and personal explanations with a down-and-dirty set of algorithms," Powers said. "The best scientists know that we're still in a stage where reality far exceeds scientific explanations. So that's where stories come in -- here's how complicated things really are when people bump up against each other in the real world."

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