On a wing and a prayer

IT is arguably one of the most magnetic moments ever captured on film. This enduring celluloid juncture from 1946's "It's a Wonderful Life" can be summoned to mind by merely mentioning "the prayer scene." In it, a tearfully reduced George Bailey -- played by Jimmy Stewart -- sits at a bar and contemplates taking his own life, then clasps his hands and quietly asks for God's intervention.

And while filming this key moment, this pivotal point in the picture, Frank Capra goofed -- big time.

Despite a reputation for being fastidiously well prepared, the veteran director had no idea that his star would turn on the waterworks and deliver such an impassioned, intimate performance on the first take. It was something overwhelming even for Stewart himself.

So the cameras rolled, the music and bustle in the bar erupted, and the scene played out -- but when it was over, Capra realized his angle was too distant. And he had failed to capture a close-up of the emotionally draining scene. Capra apologized and asked his Oscar-winning star to replicate it, but a spent Stewart knew he'd nailed it and couldn't fathom a re-creation as effective as the one he'd just poured out.

To remedy the situation, during postproduction the director and his editor manually and painstakingly moved in -- frame by frame. It created what appears to be an optical zoom.

Luckily for Capra, the result was near perfection.

It's no mystery why this year the American Film Institute named Capra's postwar classic "It's a Wonderful Life" the most inspiring motion picture ever made.

To most, it's an enriching, sentimental Christmas favorite not to be missed -- almost sacrilege when viewed during any other season.

It's all the more remarkable that this homespun movie, which was not initially envisioned as a "holiday" film, has become so entrenched in popular culture, such a beloved tradition for families to share.

Oddly enough, the film was unceremoniously released during Christmas week of 1946. Never mind the yuletide flavor, the wintry snowdrifts in Bedford Falls and the holly wreath George Bailey carries slung around his arm -- this Jimmy Stewart-Donna Reed romance was originally scheduled to open in January 1947. But RKO Studios knew it had something special and rushed it into theaters a few weeks early to meet the deadline for Academy Award consideration that year.