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Alito's mythical feel-good America

Alito's feel-good vision of America before hippies and protests simply isn't true.

January 28, 2006|Jonathan Zimmerman, JONATHAN ZIMMERMAN teaches history and education at New York University. He is the author of "Whose America? Culture Wars in the Public Schools."

ONCE UPON A TIME, Americans lived by a few simple maxims: God, country and family. Children respected their parents; students listened to their teachers; citizens followed the law. Then along came the 1960s, when liberal elites undermined traditional sources of authority. College kids smoked dope, feminists burned their bras and black militants burned down the cities. So now we have welfare, divorce, crime and a sick society that has lost its moral compass.


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That's the Republican Party line on the 1960s, when everything good turned sour. Well, maybe not everything. Amid the tumult and violence, a few Americans held fast to timeless American values. And that's where our next prospective Supreme Court justice comes in.

Samuel A. Alito Jr., you see, has become the GOP's anti-'60s cultural hero. Republican supporters seized eagerly on Alito's opening remarks at his confirmation hearing, when he compared his traditional upbringing in Hamilton Township, N.J., to the chaos and unrest he encountered at Princeton University.

Hamilton was "an unpretentious, down-to-earth community," Alito recalled, where kids went to school in the morning and played baseball in the afternoon. But at Princeton, where Alito enrolled in 1968, he found something else. "I saw some very smart people and very privileged people behaving irresponsibly," Alito said at the hearing. "I couldn't help making a contrast between some of the worst of what I saw on the campus and the good sense and the decency of the people back in my own community."

Alito's story meshes perfectly with the larger Republican narrative about the 1960s: A lot of bad things happened, but a few good people resisted them. "Judge Alito is a paragon of the oldfashioned working-class ethic," gushed the New York Times' David Brooks. "In a culture that celebrates the rebel ... he respects tradition, order and authority."

To Michael Barone of U.S. News & World Report, Alito symbolizes the "dutiful people" who adhered to tradition when the "beautiful people" attacked it. "While Manhattan glitterati thronged Leonard Bernstein's apartment to celebrate the murderous Black Panthers," Barone declared, "ordinary people ... were going to work, raising their families and teaching their children to obey lawful authority and work their way up in the world."

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