O Canada! Long may you play

VANCOUVER, Canada — Canadians are a hardy people. On Sunday, while members of the CBC Radio Orchestra played their matinee program at the Chan Centre for the Performing Arts -- a modest, acoustically pleasing, cylindrical building nestled in a stunning forest on the University of British Columbia campus -- a few robust souls were likely enjoying the clothing-optional beach down the cliff on this brilliant, chilly autumn day.

Impressive as that may seem, the resilience exposed on the stage was more so. The ensemble's new young, adventurous French Canadian music director, Alain Trudel, conducted an engaging, unusual, multicultural program with enthusiastic verve. But if it was a medical marvel that Trudel was there, it was a marvel of musical ecology that anyone at all was on stage.

The CBC Radio Orchestra is the last of its breed in North America. Supported by the Canadian Broadcasting Corp., this is the only surviving radio orchestra on the continent.

Radio orchestras, which continue to play an important role in the musical life of Europe and Asia, were once crucial organizations in the U.S. and Canada. In 1937, the NBC Symphony Orchestra was formed by the network to lure Arturo Toscanini to New York. That partnership, which lasted for 17 years, is credited, through its broadcasts and recordings, of greatly helping create a mass market for classical music in America.

Shortly after the NBC Symphony's first Christmas broadcast, a pioneering broadcaster and conductor, John "Jack" Avison, founded the CBC Vancouver Radio Orchestra, one of several radio orchestras throughout Canada. A particularly sturdy Canadian who led the orchestra for 42 years, he is remembered for once finishing a broadcast despite having amputated the top of his finger on a ceiling fan during the performance. In 1980, the British early music specialist John Eliot Gardiner took over the orchestra for three years, and then the respected Canadian conductor Mario Bernardi led it until last season.

Although they enjoy the widest accessibly to listenerships of any symphonic ensemble, radio orchestras -- such as those in London, Amsterdam and Cologne -- have ironically become bastions of experimentation for the simple fact that they enjoy guaranteed sponsorship. Operating in an environment of state support for Canadian art, the CBC Radio Orchestra, which broadcasts its concerts throughout Canada on CBC Radio 2 and which streams over the Internet at cbc.ca/radio, is expected to participate in the radio's ongoing program of commissioning new work from native composers. And the appointment of Trudel, who at 36 is a rising star, was clearly meant to inject a feisty, youthful image to an orchestra that had come to feel a bit stodgy and that competes with the more traditional Vancouver Symphony Orchestra.