Liberated from its shipping crates, the ancient statue drew a crowd of employees when it arrived in December 1987 at the J. Paul Getty Museum's antiquities conservation lab.
The 7 1/2 -foot figure had a placid marble face and delicately carved limestone gown. It was thought to depict Aphrodite, the Greek goddess of love. Some who came to see it believed that the sculpture would become the greatest piece in the museum's antiquities collection.
One man, however, saw trouble.
Luis Monreal, director of the Getty Conservation Institute, saw signs that the object had been looted. There was dirt in the folds of the gown, and the torso had what appeared to be new fractures, suggesting that the statue had been recently unearthed and broken apart for easy smuggling.
"Any museum professional looking at an archeological piece in those conditions had to suspect it came from an illicit origin," Monreal recalled in a recent interview.
He said he warned the museum's director not to buy the statue and asked him to test the pollen in the dirt, which might indicate where the work had been found. The test was never done.
Today, the 2,400-year-old Aphrodite, the best-known work in the Getty's antiquities collection, is at the center of a showdown with Italy over looted ancient artworks.
Since buying it in 1988 for a Getty ancient-art record of $18 million, the museum has defended the statue's legality, relying on the dealer's assertion that it came from a Swiss collector. That collector has said it had been in his family since 1939, the year it became unlawful to excavate and export antiquities from Italy without government permission.
To claim the object, Italian officials would have to establish that the statue had been found in their country and removed sometime after 1939, something the Getty says the officials have never convincingly done.
A Times investigation has found new information that undermines the statue's official history, bolsters claims that it was illicitly excavated in Sicily and shows that the museum bought the Aphrodite despite repeated warnings that it had been looted.
Members of the Swiss collector's family recently told The Times that they had never seen or heard of the Aphrodite before its purchase by the Getty attracted widespread publicity.
Two Italians have said they saw parts of the Aphrodite in Sicily in the late 1970s, decades after it became illegal in Italy to remove antiquities without government permission.