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Having it all: Love, money, a creepy kid

MOVIE REVIEW

July 06, 2007|Carina Chocano, Times Staff Writer

So, it's not "Rosemary's Baby," but George Ratliff's "Joshua" is nevertheless languidly seductive and creepy, perfect for a hot summer night when nobody has the energy to pose a lot of questions.

Not least among its pleasures is the chance to briefly inhabit the world of the newly superrich -- that "it" uber-class everyone is talking about lately. Shot on location in New York, every inch of the movie looks burnished, lush and expensive. You couldn't pick a nicer place to fall apart in after your evil kid starts wrecking your life.


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Joshua Cairn (Jacob Kogan) is a highly intelligent, unusually formal 9-year-old who dislikes sports and loves Bartok and his sophisticated composer uncle, Ned (Dallas Roberts). He lives in hip Edwardian style high above Central Park with his father, Brad (Sam Rockwell), a hedge fund guy, and his mom, Abby (Vera Farmiga), who appears to lead a rich psychiatric life. With their matching rumpled haircuts and rock 'n' roll attitudes, Brad and Abby seem out of place in the world of finance -- near the beginning of the movie, they attend a recital at Joshua's exclusive school.

"I hate these people," Abby whispers to Brad after a dispiriting round of small talk with some people named Abernathy. "Are we these people?" Encouraging as it is to believe that it's possible to drift ambivalently into their tax bracket, sneering along the way, it's apparent that the point of Brad and Abby's hipsterism is mainly to differentiate them from Joshua, the unfathomable little creep who somehow sprung from their trendy loins.

Herein is the clever, if not exactly fully realized, conceit of "Joshua," which likens parenthood to drawing straws. You're stuck with what you get -- but what if what you get scares you? Rockwell and Farmiga are darkly funny as the cool, sexy, not-too-bright parents of a morbid kid who looks like a miniaturized funeral director. Joshua surprises them in doorways and makes their skin crawl with his cloying but strangely emotionless declarations of love. Even his handwriting looks as if it was cribbed from Edward Gorey. When he enters the room, Brad and Abby stop laughing. Nine years appear to have done nothing to diminish their surprise and dismay.

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