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It seems Justice Thomas is still seeking confirmation

My Grandfather's Son A Memoir Clarence Thomas HarperCollins: 290 pp., $26.95

October 01, 2007|Edward Lazarus | Special to The Times

CLARENCE THOMAS, the most conservative justice on a distinctly conservative U.S. Supreme Court, may well be the nation's most polarizing legal figure, and so it is only fitting that he has penned a polarizing memoir. In addition to chronicling his amazing journey from crushing poverty in his native Georgia to the nation's highest court, "My Grandfather's Son" is a furious assault on liberalism generally and on what Thomas calls the liberal political elite that sought to derail his confirmation.

In his 15 years on the high court, the 59-year-old justice has long since established his once-doubted legal and intellectual bona fides. Yet with an eye on posterity, he seems to crave validation as having deserved his appointment and, more broadly, as a noble man fighting to do the right thing in an often bigoted, deceitful world. As Thomas puts it in his preface, he is rescuing his own history from the "careless hands" and "malicious hearts" of unnamed others.

Whether Thomas' much-anticipated memoir will advance this cause is doubtful. Thomas' supporters will cheer his often eloquent and always feisty accounts in which every liberal idea is derided as a foolish "piety" belied by his life experience. But his polemical, score-settling approach is likely only to deepen the enmity of his detractors.

Nowhere is this more true than in Thomas' treatment of the he-said / she-said conflagration over Anita F. Hill's charges that he made crude sexual advances toward her. Neither his successful Senate confirmation in 1991 nor the passage of time has mellowed his view of what he then famously decried as a "high-tech lynching." Spewing invective, Thomas depicts Hill as an abrasive, vindictive, politically motivated liar exploited by a "smooth-tongued" liberal "mob" (including a biased press) that was hell-bent on his personal destruction to prevent a more conservative court from overturning Roe vs. Wade. He casts himself as Tom Robinson, the black man wrongly accused of rape in "To Kill a Mockingbird," his favorite book as a youth. (Hill, a professor at Brandeis University, has declined to comment on the book or Thomas' characterization of her as a "mediocre" but ambitious lawyer and "my most traitorous adversary.")

Thomas is refreshingly candid about the depths of his suffering, and one comes away with a deep sadness about our broken politics and the ferocious disincentives for anyone to seek high government appointment.

Baring emotional wounds, however, is not the same as presenting a convincing case of innocence. Since the confirmation hearings, several careful journalists have shown that he was nothing like the uptight, prudish figure he presented at the time -- someone who could not possibly have talked about pubic hairs and Long Dong Silver. In law school, Thomas was a voracious consumer of pornography with a coarse sense of humor -- and credible evidence exists that his pornographic interest extended much later into his life. Thomas cops to none of this except to note briefly that, from "immaturity," he might have joined in a few discussions of pornography at Yale, when the movie "Deep Throat" and its ilk were mainstream cultural phenomena. Nor does he address others' claims that would seem to corroborate Hill's charge that Thomas made unwanted sexual advances toward her when she worked for him at the U.S. Equal Employment Opportunity Commission.

This doesn't necessarily mean that Hill's accusations were true. It does mean that Thomas' sense of outrage is exaggerated and one-sided. He rails against a vast left-wing conspiracy for distorting his true character. Yet the portrait painted by his supporters at the time and now by Thomas was (and is) also false. For all his fury at those who so intrusively investigated him, he has only praise for those who slung the mud at Hill, tarring her with little foundation as journalist David Brock did in describing her as "a little bit nutty, a little bit slutty."

The risk is that Thomas' polemical rendering of his confirmation fight will overshadow more effective -- and in some ways more important -- parts of his memoir. The enigma of Thomas has always been how a black man growing up in the Jim Crow South, who lived the American dream at least partly due to affirmative action, could be so intractably conservative and so scornful of the very programs from which he benefited.

"My Grandfather's Son" answers this question powerfully. As the title indicates, Thomas was reared by his grandfather, Myles Anderson, because his father abandoned him as a toddler and his mother hadn't the wherewithal to raise him. To say that Anderson practiced tough love is an understatement. He beat Thomas, denied him sports (despite the boy's athletic prowess) and subjected him at a tender age to hard physical labor. Emotionally remote, Anderson later kicked him out of the house when -- in a major break from his parochial upbringing -- Thomas decided to leave a Missouri seminary college.

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