She's a 21st century cyborg

I miss Oscar. There, I've said it. With his funky aviator specs and his now politically incorrect use of the word "babe," there is no way Oscar Goldman could have made the 30-year leap from "The Bionic Woman" to NBC's great new noir remake "Bionic Woman." (So sleek and hip it doesn't need a "the.") As played by Richard Anderson, Oscar lent a paternal heart to that '70s show -- Lindsay Wagner's Jaime Sommers may have been able to lift automobiles with one hand, but she always had someone looking out for her. Babe.

Michelle Ryan's updated Jaime has no such luck. In fact, she has no luck at all. A vaguely dissatisfied bartender caring for a sulky teen sister, she gets knocked up by her hotshot professor boyfriend, Will, just as he is about to leave for a new gig in Paris. And that's the good news. The bad news comes quickly in the shape of a horrific traffic accident that leaves Jaime short a few limbs.

Fortunately, Will (Chris Bowers) turns out to be part of a special ops prosthetic program. In other words, he has the technology; he can rebuild her -- secretly, underground, with the help of some unnamed agency for no doubt nefarious military purpose in a procedure with previously mixed results. We know the results were mixed because the show opens with a trail of maimed corpses leading to a very attractive blond who is apparently responsible for them. "I'm not in control," she says before flying, teeth bared, at her trackers.

So don't expect Max, the bionic dog, to show up any time soon.

Dark in mood and tone -- on a flat screen, the show is barely visible in direct sunlight -- "Bionic Woman" owes much to the popularity of the graphic novel, the noir sci-fi sensibilities of Philip K. Dick and perhaps Angelina Jolie. None of which is a bad thing. This is the post-feminist, post-9/11 bionic woman -- not only doesn't she need any help, she wouldn't trust it if it were offered. But that won't keep her from getting the job done.

In other words, it's not your mother's "Bionic Woman." It's much, much better.

With her big blue eyes and fair childlike face, Ryan, recently seen in "Jekyll," is perfect as an everywoman upon whom kick-ass has been thrust. Previously adrift, Jaime now has no choice but to focus -- if for no other reason than that the folks behind the bionics project are fairly cavalier about her well-being. "If it doesn't work out," says lead project meanie Jonas (the always welcome Miguel Ferrer), "we can always terminate."