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Strike still felt by TV workers

With production down after the writers walkout, many who labor behind the scenes are struggling.

THE STATE

April 28, 2008|Richard Verrier, Times Staff Writer

But the increase has not been enough to fill the paucity of jobs. Indeed, an actors strike would be more debilitating than a walkout by writers because it would shut down most production, a nightmare scenario for people such as Ed Lippman.

"I can't even think what might happen to me if SAG goes out," says Lippman, a location manager. The 16-year industry veteran has been unemployed since November, when his last show, the NBC cop drama "Life," shut down after filming only 11 episodes.


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When the strike ended, Lippman figured he would return to work on "Life," but NBC chose not to resume filming until June. For the first time in his career, he wasn't getting any calls for pilot work, and neither were his colleagues.

After maxing out his credit cards, Lippman, 42, did something he never imagined he would do: He filed for personal bankruptcy this month.

"It was hard to accept. I thought, 'How could this happen?' " Lippman said.

Phillip Gordon has been wondering the same thing.

After four months of unemployment, the 38-year-old prop maker and general foreman returned to work a week ago, overseeing construction of the set for the comedy "Mostly Ghostly," an upcoming movie based on the R.L. Stine book series. The job pays $17 an hour, well below his usual rate, and requires a two-hour commute from his home near Palmdale to the set in Playa Vista.

Gordon has little choice. He's four months behind on his variable-rate mortgage. His payments ballooned to $3,700 from $2,700 a month in January, shortly after he lost his job on the set of the next "Star Trek" movie. To stay afloat, he's sold off tools at swap meets and mowed his neighbor's lawn.

"I don't know what else to do," Gordon said.

Benefits could cease

Many crew members are in a race against the clock to keep their health insurance. Union rules require that members work at least 300 hours every six months to maintain their benefits.

After a four-month hiatus, foley artist Dominique Tabach of Valencia recently returned to work part-time on the CBS drama "Numb3rs." But she has nothing else lined up.

Without additional work, Tabach, 43, is concerned that she won't accumulate enough hours to keep her union health insurance beyond September. The insurance covers Tabach, her 8-year-old daughter and her husband, a former TV executive who recently lost his job.

"There's just not enough TV work out there," Tabach said.

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richard.verrier@latimes.com

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