These DAYS, the rock scene is low on mysterious figures. As the music has lost its countercultural edge, many of its champions have transformed into average celebrities, happy to speak into any microphone that wanders by. That's not true of Zack de la Rocha: The Rage Against the Machine vocalist is the rare rock star who keeps his distance from the hype.
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All the Rage again
Zack de la Rocha discusses his new project, his old project and (of course) politics.
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De la Rocha is as famous for his radical politics as for incendiary poetics. Between his retirement from Rage in 2000 and his recent reunion with the band, he's limited his public appearances to the occasional rally or benefit show. His musical output has been spare too: Only a few songs have seen light.
But this summer, the 38-year-old Southland native is back and seemingly unstoppable. He has a new musical project: One Day as a Lion, which pairs him with drummer Jon Theodore. . . . One Day as a Lion's self-titled debut EP, on Anti- Records, hit No. 28 on the Billboard charts with minimal media attention and is gaining traction nationally on rock radio. A full release will come in the fall.
De la Rocha has also found a way to embrace Rage again. A 2007 Coachella appearance marked the band's return as a live unit, and its shows have become major events. Earlier this month, Rage blazed through a set at Lollapalooza in Chicago, and the band has just announced a Sept. 3 Minneapolis date, which will serve as a protest against the Republican National Convention occurring simultaneously in St. Paul.
This burst of activity has even inspired De la Rocha to break his media silence. He spoke Monday by phone about the current state of political music, his creative process, and the future of One Day as a Lion -- and Rage Against the Machine.
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How did One Day as a Lion come about?
I've known Jon for several years now, and I saw some of his first performances as a member of the Mars Volta. It was clear that music in L.A. was never going to be the same now that he was here! I've worked with some great drummers, but I hadn't seen drumming like that in a long time. So I immediately felt compelled to . . . pick his brain and find out what kind of music he was interested in.
