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Out of the picture

Richard Dutcher was the king of Mormon film. Then he lost faith.

August 19, 2008|Chris Lee, Times Staff Writer

The retiring Dutcher, who in conversation at a Culver City postproduction editing facility seemed more apt to make his point with a shrug than by banging his fist on the table, takes pains not to disparage Mormons or Mormonism. And although spirituality remains one of Dutcher's abiding concerns, he officially left the church last year. Nonetheless, in a frenzy of productivity right around the time of Dutcher's religious disconnect in 2004, he churned out screenplays for two more Mormon-themed movies: "States of Grace" (a harder-edged "semi-sequel" to "God's Army" that also follows LDS missionaries in L.A.) and the spiritually disquieting "Falling."


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Released in 2005, "States of Grace" was greeted by mixed reviews and some outrage in the LDS community for what some felt was not an altogether positive depiction of Mormons -- buffeting Dutcher's reputation as the father of its cinematic vanguard.

"Richard became a local lightning rod because he accepted what might be called an ill-informed and premature title like the 'father of Mormon cinema,' " said filmmaker and Brigham Young University professor of media arts Thomas Russell. "He didn't make it up, nor did he ask for it, but I think he's also done little to distance himself from it."

That is, unless you take into account some of the more outre moments in his new movie. In addition to nudity, violence and coarse dialogue, you're unlikely to encounter in any other "Mormon film" -- R-rated or otherwise -- the amoral paparazzo protagonist Dutcher portrays in "Falling" hurls an F-bomb at God in a moment of despair and openly regrets having wasted 12 years of his life in the church.

To hear it from Dutcher's wife, Gwen, her husband's crisis of conscience added a layer of meta-narrative pathos to what is certainly one of the year's most self-excoriating performances. Then on top of his crisis of faith there were the vagaries of shooting a movie on a shoestring $500,000 budget.

"What you're seeing on his face is exhaustion and despair," she said. "It was excruciating. An unbelievably difficult time." Dutcher, who splits time between Los Angeles and Utah, parlayed his indie renown into writing and directing his most mainstream (and biggest budgeted) movie to date: the supernatural horror thriller "Evil Angel," which stars Ving Rhames and will hit theaters in 2009.

Despite its provocative handling of LDS faith, Dutcher insists "Falling" is, in effect, a Mormon movie insofar as its themes and imagery will be most meaningful to Latter-day Saints (never mind that, by default, they are embargoed from seeing an R-rated film). But then, doesn't that still make him a Mormon filmmaker?

"At the beginning, I was proud to say, 'Yeah, I'm a Mormon filmmaker' because then, I was defining what a Mormon filmmaker was," Dutcher said. "It quickly got completely out of my control. Now, no one wants to call themselves a Mormon filmmaker because you're associating yourself with a genre that's fallen into disrepute. It's like having porn on your resume."

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chris.lee@latimes.com

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