'Frost/Nixon': classy, canny

Ron Howard is celebrating his 50th year in show business, and if you learn anything in that span, it's not to mess with a good thing. In "Frost/Nixon," the veteran director smoothly demonstrates the value of that attitude, taking a silk purse of a project, making it even silkier and producing perhaps the best work of his career in the process.

The silk purse in question is a play with a considerable pedigree. Written by Peter Morgan, best known for the Helen Mirren-starring "The Queen," "Frost/Nixon" had highly successful runs in both London and New York and won the best actor Tony for Frank Langella in the process.

Despite this success, "Frost/Nixon" was not an easy sell in today's adult-phobic film marketplace, even with an Oscar-winning director attached. The production reportedly had one of the tightest budgets and shortest shooting schedules in Howard's last 30 years as a director, and everyone, including Howard, took reduced or deferred fees.

One of the explanations for all this caution is that a film looking behind the scenes at the television interviews that British TV personality David Frost did with former President Richard Nixon in 1977 doesn't sound all that dramatic, now does it?

"Frost/Nixon," however, turns out to be formidably involving, and the reasons start not with expert costars Langella and Michael Sheen or their strong supporting cast or even the skills of Howard, but with the gifts and vision of Morgan, who wrote the screenplay as well as the play.

Credited with not only "The Queen" and its prequel, "The Deal," but also "The Last King of Scotland," Morgan has been especially adept at exploring what he calls "the twilight between historical fact and fiction," a point he emphasizes in an author's note to the drama's printed edition. "It is a play, not a historical document," he writes, "and I have on occasion, perhaps inevitably, been unable to resist using my imagination."

Morgan has conjured up what he described, when talking the project up to Frost himself, as "a sort of intellectual 'Rocky,' " a battle of wits between two of the more unlikely antagonists the television medium has ever brought together.

On one side is Frost (Sheen), a man of imperturbable self-confidence and minimal gravitas who has been referred to by at least one headline writer as "Frosty the Showman." A practiced interviewer and talk show host, he is only minimally discomforted when girlfriend-to-be Caroline Cushing (the always letter-perfect Rebecca Hall) remembers a description of him as having "achieved great fame without possessing any discernible quality."