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'House of Saddam'

TELEVISION REVIEW

HBO's miniseries about Saddam Hussein, starring Igal Naor as the Iraqi leader, is an above-average if not essential docudrama.

By ROBERT LLOYD, Television Critic|December 05, 2008
  • HBO’s “House of Saddam”
    Alan Keohane / Associated Press

It is a wide world, I know, and there are surely people in it more receptive than myself to the idea of a four-hour miniseries about Saddam Hussein. That seems a long time to spend with the man. (John Adams got eight-plus hours earlier this year, but he was a Great American and lived to be 90.) And there is Steven Soderbergh's upcoming 257-minute Che Guevara biopic, but that has Benicio Del Toro in it, at least, and a big-screen budget. "House of Saddam," which begins Sunday on HBO, is above average as docudramas go, but as docudramas go, "above average" is still something short of essential.

The film starts, like "The Godfather," with a party -- a seventh-birthday party for Hussein's daughter -- at which then-Deputy President Saddam Hussein (Igal Naor) makes Iraq's president an offer he cannot refuse: retirement. Hussein takes power, executes a chunk of the congress and personally puts a bullet in the head of his best pal just to prove himself a tough customer. "The man who can sacrifice even his best friend is a man without weakness," he tells his wife. He does this for Iraq, sort of, in whose glory he glories, but he has increasing trouble telling himself and his country apart. He looks moodily out the window, leans heavily over his desk. He doesn't have much fun.


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This is Hussein as Soprano. Certainly, as pictured here, Tony S. and S. Hussein would have had things to say to each other -- about difficult children and controlling mothers ("Mama, what do you want in the name of Allah?" Hussein asks, looking hangdog), about the heaviness of the crown-wearing head and the uses of fear. The president rules by intimidation. He's like Billy Mumy in that "Twilight Zone"(The_Twilight_Zone) episode, wishing everyone into the cornfield. And so nobody around him has much fun, either, except older son Uday (Philip Arditti), who's crazy. Uday snorts cocaine, rapes a waitress, kills a man with a cane. This makes Papa mad: "You think violence is a pastime? It is a tool! What are we? Barbarians?"

"House of Saddam" may have been conceived as a family drama, and that's interesting as far as it goes -- which is really only as far as you can tolerate the family. There is enough outside matter to orient us historically, yet perhaps not enough context to see the subject whole.

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