OK, so Angelina, Denzel and Keira didn't get asked to the Oscar prom. They shouldn't shed too many tears over their absence from this year's nominations.
After all, they're in very good company. From Humphrey Bogart ("The Maltese Falcon") and Marilyn Monroe ("Some Like It Hot") to Susan Sarandon ("Bull Durham") and Sean Penn ("Fast Times at Ridgemont High"), movie history is rich with overlooked performances that are now revered and celebrated more than many of their peers' nominated, even winning, entries.
Monday-morning quarterbacking is always a fun parlor game. Subjective too. But the passage of time and added perspective do buttress some finger-pointing when it comes to Oscar oversights.
A favorite rant: How could Donald Sutherland's spot-on portrayal of the dazed and grief-stricken father in 1980's "Ordinary People" be the only substantial performance in the film not to be nominated?
Mary Tyler Moore received a nod. So did Judd Hirsch and Timothy Hutton (who took home the supporting trophy). But Sutherland, arguably the linchpin performance in Robert Redford's beautifully realized best picture winner, got nothing.
Of course, acts of omission occur behind the camera as well; 1989's "Driving Miss Daisy" apparently drove itself to a best picture win, since director Bruce Beresford wasn't nominated. Even industry heavyweights Steven Spielberg (1985's "The Color Purple") and James L. Brooks (1987's still timely "Broadcast News") saw their films make the best picture tally, only to find their names missing from the directors' ballot.
But ultimately, it's the on-screen talent whose Oscar slights we feel most deeply. Following is a sampling of performances cold-shouldered by the Naked Gold One. Some are time-tested classics; others are more personal, perhaps idiosyncratic choices, portrayals that for whatever reasons continue to haunt and intrigue and drive me back to their films.
And really, Oscar, isn't that what it's all about?
The classics
Robert Mitchum's menacing turn as a killer preacherman dogging helpless children in 1955's "The Night of the Hunter." Just try to get him out of your head.
Marilyn Monroe in 1959's "Some Like It Hot" or 1956's "Bus Stop" or even 1955's "The Seven Year Itch." Her luminous screen presence hasn't dimmed a half-century later. Surely, she deserved at least one nod from Oscar.
James Stewart, at Alfred Hitchcock's service, in 1954's "Rear Window" and 1958's "Vertigo." Pitch-perfect as Everyman.
