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The Kids Are Upright

Today's Tween Stars Favor Simple Rock Songs About Relationships, Without Amping Up Their Sexuality.

CRITIC'S NOTEBOOK / POP MUSIC

July 06, 2008|Ann Powers, Times Pop Music Critic
  • Miley Cyrus
    Bryan Bedder / Getty Images

A torrential squeal will hit the Southland next week, when the Jonas Brothers play in Irvine and Anaheim, and there'll be much parental chatter about how this latest craze is affecting our kids. Adults love to fret about the chilling effect of Miley Cyrus’ bared shoulders or of Joe Jonas' crucifix-adorned purity ring. But there's also music to consider.

No matter how many backpacks they help Target sell or photo spreads they do in Vanity Fair, tween stars like the Jo Bros and Miley Cyrus (in and out of her Hannah Montana costume) have music at the center of their identities. These young stars tend to write (or at least co-write) their own material, and their hits contain some interesting lessons about both life and pop.

Today's tween pop is tasty and nutritious and just a bit tart, like a protein-packed smoothie. Anyone over 12 will enjoy its flavor but find it not quite a whole meal. It's a lot like rock, but not quite rock -- that old drop of poison, of boundary-challenging risk, is necessarily absent. The sounds of Radio Disney and Nickelodeon -- whose stars completely rule the Billboard Kid Audio charts -- are made to be tolerated by parents nervous about the messages pop music sends, especially in the wake of meltdowns by former teen stars like Lindsay Lohan and Britney Spears.


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No longer is teen pop based on the Lolita principle. Instead, it's a tool for learning, transforming the individualism and irreverence of the rock era into good-girl-and-boy self-empowerment.

Spears sent scintillating mixed messages in songs like ". . . Baby One More Time"; Cyrus and the Jo Bros make things perfectly clear. Tween emotions are confusing. Tween pop acknowledges this, but it exhorts kids to believe in themselves anyway, and not to play games with anyone's heart.

Miley/Hannah's hit of last winter, "See You Again," recounts how she "freaked out" in a favored boy's presence but ends confidently: "I will redeem myself / My heart can rest 'til then." "S.O.S." by the Jonas Brothers offers the other side of the conversation. These boys crave nothing more than honest talk and clear commitment: "Don't wanna second guess," Nick Jonas sings to his girl, who's hiding behind coy text messages. "This is the bottom line."

In both songs, feisty little riffs underscore the lyrics about standing up for yourself and respecting others.

All about rocking out

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