Reconciled Yaz reconnects with fans

Yaz always did leave fans wanting more.

During the course of their brief but auspicious career in the early 1980s, the onetime Basildon, England-based duo released just two albums and three singles. Songwriter Vince Clarke and singer Alison Moyet never toured the United States outside of New York, and one of their best-loved hits in England, where they are known as Yazoo, "Don't Go," fades out around the 2 1/2 -minute mark.

Now, after a public split just as their record "You and Me Both" was released in 1983, the group is back to settle some unfinished business.

"Alison has been interested in doing something with me for quite a while now," Clarke, 47, said via telephone from London's sprawling 3 Mills Studios in May, where he was rehearsing with Moyet for Yaz's "Reconnected" world tour. The band stops at the Orpheum Theatre in downtown Los Angeles for shows tonight, Thursday and Friday and winds up its trek July 24 in Costa Mesa.

With Clarke on a break from touring with his band Erasure -- and a four-disc Yaz boxed set, "In Your Room," due out today on Mute records -- the timing seemed right. But Moyet, who also releases her latest solo album, "The Turn," today, said that the new concert dates represent more than just the opportunity to reconnect with fans: The tour has brokered a reconciliation for artistic collaborators whose union was always fraught with considerable tension.

"For me, the live element of the work is just as important as any other area," said Moyet, 46. "The fact that we never got to play 'You and Me Both' live, I felt cheated."

Unlike other 1980s synth-pop acts, Yaz never faded from the public consciousness, especially in the U.K., where the band's unique brand of music -- think icy cool synthesizers coupled with warm vocals over electropop beats -- remains influential to this day.

Clarke in particular made synth-pop acceptable in the 1980s to music critics (he was an early booster of sampling and owned one of the first very expensive Fairlight synthesizers in England) and arguably helped set the tone for what would become a wave of chart-topping synth-centric pop songs throughout the decade.

In today's reenergized electro scene, Yaz's debut, "Upstairs at Eric's," remains a must-hear for groups mining the pop vein of electronica.

"I think the best pop music is forward-looking," Clarke said. "For me, the best music is something that uplifts me in some emotional way. At the end of the day, the song has to work on an acoustic guitar or piano, or it's not worth much."