"Clive asked me to come with him to J Records," Q-Tip recalled. "But I stayed with L.A. Reid at Arista and finished the album. He loved it, sent it out, it got great reviews. But he got cold feet because he didn't hear a single. So I asked for a release."
Rather than put the CD out on an independent label, Q-Tip decided to sit on it; the album achieved cult status after it was widely bootlegged. From there, the rapper-producer signed a deal with DreamWorks Records only to see the imprint absorbed by Geffen Records just months later. He never stopped creatively striving, studying piano, taking tutorials in bel canto singing technique and performing DJ sets throughout New York. After a year of neglect on the Geffen affiliate Interscope, Q-Tip asked for and was granted another release.
In 2004, he inked a contract with Universal Motown and self-produced another solo album, "Open." Its spacey avant jazz grooves and psychedelic guitars (not to mention the vocal contributions on two songs from Andre 3000) won critical raves but failed to live up to Q-Tip's sky-high standards. And again, "Open" never saw the light of commercial day.

