Always game to experiment, John Patrick Shanley has delivered a tremendous variety of stories, from the magical romance of the movie "Moonstruck" to the tense stare-down of the play (and soon-to-be film) "Doubt."
He's also known for bleak but intermittently tender comedies. Three of these are playing locally: the early-'80s "Welcome to the Moon and Other Plays" and "Savage in Limbo" and 2001's "Where's My Money?"
The last of these -- presented by the new Actorhood company -- is a daisy chain of interactions among attractive, mostly well-to-do Manhattanites. Celeste (Madeleine Lindley), an exhibitionist/drama queen, confides graphic details of an affair when she happens upon Natalie (Jaimyse Haft), a former co-worker. A righteously indignant Natalie turns around and reads her the riot act. But Natalie has her own secret: a hollow-eyed guy (Nick Machado) who trails her, asking, "Where's my money?"
Subsequent scenes introduce Natalie's lawyer husband (Dayton Knoll), who's as adversarial at home as he is on the job, and Henry's colleague (Corbin Timbrook) and wife (Lisa London), who square off -- in their pink Barbie kitchen -- as though in a knife fight.
The past strangles the present. Nurturing impulses forever threaten to tip into destructive ones. The point of it all? Well, that might leave you scratching your head. But as directed by Sal Landi, the show is prankish, sly and sexy.
The presentation of 1985's "Savage in Limbo," at Two Roads Theatre, grew from an acting-class exercise that turned out so well that participants took it public.
It's a dead hour at a cheerless Bronx bar when Denise Savage (Jolene Kim) bursts in, eyes wide, feet spread -- ready for destiny or for a fight. Her jangled nerves soon find an echo in those of wailing Linda Rotunda (Laura Bottrell), whose preening boyfriend (Jamil Chokachi) is ready to leave her after a soul-altering vision.
Perched on a bar stool, quietly soused April (Pamela Donnelly) comes to, with haunted agitation, every once in a while. The bartender (Steve Kahela) is her guardian or her jailer, hard to say which.
The characters are nearly mad with the desire to make a change, to take control -- even if they don't know how to, or are afraid to, proceed. The actors clearly relish the opportunity to pursue emotions to extremes. Under Chris Stone's direction, they're fun to watch.
