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Arts of the campaign trail

Arts organizations are becoming aggressive in getting candidates to talk about funding.

March 04, 2008|Allan M. Jalon | Special to The Times

When it comes to campaign themes, the arts can't compete with healthcare reform, national security, the sluggish economy -- just about anything you might name.

But this presidential primary season, people who work at the crossroads of politics and culture say the arts have attained a higher profile than usual -- and the push for an arts agenda has established a foothold in the campaign landscape.

Linda Frye Burnham, well known in Los Angeles arts circles for starting High Performance magazine and co-founding Highways Performance Space in Santa Monica, began hearing in January about Barack Obama's support for the arts.

Along with thousands of other arts figures, she received an e-mail detailing how Obama would increase support for the National Endowment for the Arts, embrace arts education, strengthen cultural diplomacy, advocate an artist-friendly tax law and propose an Artist Corps to send young artists to teach in low-income areas.

In Ohio, meanwhile, Hillary Rodham Clinton's campaign worked to arrange a gathering at which her advisors hoped to win arts-interested voters with her commitment to the same ideas. Mike Huckabee has promised that should he be elected, he'd follow through on his devotion to arts education, especially. And last March, John McCain answered a New Hampshire theater manager who said he hoped the senator would support the arts by sending the man a personal check for $500.

The statements and promises, as it turns out, reflect an initiative called ArtsVote2008 mounted by the political arm of a group called Americans for the Arts, or AFTA.

In advance of the Iowa caucuses, ArtsVote gave all the candidates then running a 10-point plan for the arts in public life. No. 1 stresses NEA grants to the sorts of local arts agencies and groups that AFTA represents. No. 6 urges candidates to enhance healthcare coverage for arts groups and artists. (The complete text is available at ArtsVote then urged the candidates to address these points in public.

Such political pressure "is pretty common among other advocacy centers, but for the arts it is somewhat new," says Rindy O'Brien, director of the American Arts Alliance, which represents opera, ballet and orchestra groups in Washington. "I come out of the environmental realm, and they would do a lot of that electoral work -- and Planned Parenthood does -- but, for the arts, you haven't seen it."

One reason it's visible now is a matter of resources. In 2002, AFTA received a $127-million gift from Ruth Lilly, heiress to the Eli Lilly pharmaceutical fortune.

The money, given in annual installments and spread across the group's political, educational and service activities, lifted its yearly budget to $14 million from about $8 million. And those extra millions helped give clout to ArtsVote, a part of AFTA's political arm, the Arts Action Fund.

With its 10-point plan in place, ArtsVote tracked candidates' responses by giving a $40,000 grant to a group called New Hampshire Citizens for the Arts so it could hire Suzanne Delle Harrison, who runs a theater in the state. She, in turn, put candidates and their staffs on the record by asking them about their views before the state's primaries. On the ArtsVote website are both the campaigns' arts statements and a diary of Harrison's lobbying adventure:

The diary alludes, for example, to a lecture Huckabee gave ArtsVote volunteers that Harrison described in an interview as a "fascinating" evangelistic interpretation of human creativity as a conduit for the creative role of God.

Beyond his $500 gift, McCain doesn't appear in the log. His silence, arts advocates say, is already framing a clear difference on public financing for the arts between whichever Democrat runs and the Republican front-runner. "It would be a stark contrast, especially since Sen. McCain hasn't responded in any way about supporting the arts," says Narric Rome, director of federal affairs for the Arts Action Fund.

An issue of particular interest on the ArtsVote agenda is arts education, which, arts advocates say, became a casualty of the test-driven No Child Left Behind Act.

Obama, Clinton and Huckabee all extol exposing students to the arts. Speaking before the Virginia primary, Obama declared: "I want our students learning art and music and science and poetry and all the things that make education worthwhile."

Pollsters have not attempted to measure the power of a national arts vote, and it's hard to know how such stands will sway the public.

But the Arts Education Partnership, a coalition of 140 organizations, recently commissioned a poll of 1,000 likely voters from Lake Research, a Democratic polling firm. It showed that 57% of the respondents would more likely vote for a candidate who supported the development of the imagination in schools.

The poll, which had a margin of error of plus or minus 3 percentage points, also found that 57% of voters would be less likely to pick a candidate who voted to cut funding for arts education.

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