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Cheering's expansion team

Two World Series wins haven't been enough to draw fans to Florida Marlins games. Enter the Manatees.

COLUMN ONE

March 29, 2008|Carol J. Williams, Times Staff Writer

MIAMI GARDENS, FLA. — Robert Ramos bumps when he should grind. If he's supposed to walk like an Egyptian, he gets down in a low swagger. With Aerosmith's "Walk This Way" blaring, Ramos isn't sure which way that is.

Even when telling a joke about his lack of dancing prowess, his timing is off.


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"My girlfriend says that if it wasn't for no rhythm, I wouldn't have any rhythm at all," he says, furrowing his brow when that doesn't sound right.

But Ramos and 15 other men will be dancing before an expected 45,000 fans at the Florida Marlins' home opener Monday at Dolphin Stadium. They are the Manatees, Major League Baseball's first plus-size male cheerleaders.

The Marlins are hoping the squad -- which is named after endangered marine mammals that resemble pale walruses without tusks -- will bring fans into the park. Despite two World Series championships in its 15-year existence, the National League East team had the lowest average game attendance in the majors last year, fewer than 17,000. It posted a disappointing 80-82 season amid rumors, since squelched, that the team was for sale.

The idea was to connect with fans who are most comfortable watching baseball on a couch near a beer cooler. So when Marlins marketing executives posted a notice on the team website and held tryouts, there were no upper or lower limits on weight.

The chosen Manatees tip the scales at 225 to 435 pounds.

"There are more people who look like them than have those perfect bodies," says Sue Friedman, a charter member of the Marlins Fan Club.

But can manatees learn to dance?

At the first practice, in a second-floor studio at the Don Shula Sports Center, Ramos hung back from the others decked out in black and aqua -- the Marlins' team colors. A shy 6-foot, 270-pound man whose decision to join the Manatees shocked his near and dear, Ramos stood like a wallflower until choreographer Vanessa Martinez-Huff clapped the practice into session.

Modeling each step in front of her panting apprentices, Martinez-Huff watched their moves in the studio mirror, halting the music every few beats to correct missteps. Her motions were smooth and her voice cheery.

In her eyes was a look of stifled panic.

But she shook it off, determined to shame the men into synchronized movement.

"I see people leaving to get hot dogs!" she admonishes them. "You want to keep them in the stands! Do you want to lose out to a hot dog?"

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