Tucked on a packed street in Manhattan Beach, the home of Shaya and Grant Kirkpatrick is based on a classic idea in Southern California Modernism: the coexistence of the open and the enclosed.
Open, in this case, means window-filled walls and light-filled rooms, with few visible structural supports. Some walls stop short of the ceiling, making visitors wonder what's holding up the house. Stairs jut out, seemingly suspended by invisible forces. Even bathrooms feel open. In the master, a glass door slides into a pocket in the wall, and the room becomes a sun-filled balcony, as if there were no barrier to the outdoors.
"It did take a little getting used to," Shaya says, "but now I could spend all day there."
Other spaces are more sheltered and private: the intimate, glass-walled dining room, where a stand of bamboo keeps outsiders from looking in; the study, with its stony walls of poured concrete; bedrooms for Allie, 8, Ryan, 11, and Jack, 14; and the master for Grant, principal of KAA Design Group of Los Angeles, and Shaya, an interior designer.
The strategy of alternating openness and enclosure drove the design of the house, Grant says. On a piece of scrap paper, he sketches the floor plan as a checkerboard -- some areas sunny and expansive, others walled-in and private.
His inspiration was the Schindler House, the 1922 Modernist landmark in West Hollywood notable for slab concrete walls that define not only the home and its courtyard but also its gardens.
For his place, Grant chose not to replicate Schindler's style but rather his idea of a house and landscape so integrally entwined that it's sometimes difficult to tell one from the other. Schindler's strategy of using clerestory windows just below the roofline is repeated here, bringing natural light and a hint of the outside world into the home without compromising privacy.
With the ocean just a few blocks away, the house requires little heating or cooling. When temperatures do drop, the concrete floors deliver radiant heat. And in warm weather, a fan draws hot air out of the top of the house and pulls in cool air at ground level. Shade comes from mature eucalyptuses in the neighborhood, known in Manhattan Beach as "the tree section."
Fittingly, at times, the home feels like a treehouse. Although the open plan appears simple, it required complex engineering because of the minimum number of interior walls, according to contractor Jeff Wilson.
