Vivacious, exotic and scored to a calypso-reggae beat, "Once on This Island" is a Caribbean cruise of a musical that offers audiences an abundance of pleasantly superficial diversions and sunny ports of call.
That Reprise Theatre Company's revival often transcends the show's touristic premise is mostly because of a fully committed cast that fuels this pleasure ship with a bottomless source of diesel kick.
Much credit should also go to director Billy Porter, whose smart staging uses the spatial limitations of UCLA's Freud Playhouse to remarkable advantage. Compact without feeling constrained, this production boasts an elegant concision that brings out the musical's strengths while minimiz- ing its weaknesses.
Loosely adapted from Hans Christian Andersen's "The Little Mermaid" by Stephen Flaherty and Lynn Ahrens, "Once on This Island" takes place in a former French colony where a free-spirited peasant girl, Ti-Moune (newcomer Kristolyn Lloyd), longs to join the ranks of the landed aristocracy.
Her path crosses that of a wealthy young man named Daniel (Jesse Nager), whose car crashes during a stormy night. Hopelessly infatuated, Ti-Moune consults a supernatural demon who agrees to conjure up true romance if the heroine is willing to ultimately trade her life for Daniel's.
Filled with references to the occult, "Once on This Island" often threatens to sink into a swamp of silly voodoo-isms and other specious signifiers of exoticism. But Reprise's production keeps the musical firmly rooted in specific emotions and a fundamentally pessimistic view of human nature.
Lloyd's performance as Ti-Moune is confident without insisting on likability. Her character can be appealing, romantically naive and even stupid -- all of which registers through the actress' carefully controlled performance. Vocally, Lloyd is strong in the middle range and somewhat insecure on the high notes, but she's charismatic and shows enormous promise.
The rest of the cast is impressively versatile incarnating the peasants, aristocracy and spirits who inhabit the island. Pop singer Ledisi successfully blends into the ensemble, nicely underplaying her earth-mother character's big number, "Mama Will Provide."
As the hunky dreamboat, Nager finds the right notes of romantic ambivalence for Daniel. The actor gets to unleash the full power of his tenor voice only in the ballad "Some Girls," but it's enough to cast a swoony spell over the entire story.
