It's THE one war in the last 60 years that doesn't divide politicians, pundits and voters. But can World War II bring moviegoers together?
Starting on Friday and ending at Christmas, at least half a dozen dramas whose plots connect with World War II are scheduled to arrive in theaters, all hoping to perform better than the crop of recent war films looking at the modern Middle Eastern conflict.
The new movies -- Friday's Spike Lee-directed "Miracle at St. Anna," Nov. 7's concentration camp story "The Boy in the Striped Pyjamas," Nov. 28's "Australia" from filmmaker Baz Luhrmann, Dec. 12's "Defiance" from director Ed Zwick, Dec. 26's "Valkyrie" from filmmaker Bryan Singer and "The Reader" from director Stephen Daldry (which could hold until 2009) -- feature dramatically different plots but share surprisingly common themes.
Several of the movies focus on largely unfamiliar yet remarkably brave true acts of anti-Nazi valor, even if the means (or the outcome) aren't exactly Hollywood feel-good: One has a point-blank murder, another a firing squad. The marketing for some of the films has been similar, with a few early trailers superimposing blocks of printed text on top of action sequences:
* "I swear by God this sacred oath: That I shall render unconditional obedience to Adolf Hitler, the Fuhrer of the German Reich." ("Valkyrie")
* "By the summer of 1941, Hitler's army was on the move, and Europe was about to fall. For millions, it was a death sentence. But for three brothers . . . it was a declaration of war." ("Defiance")
* "On December 19th, 1983, Hector Negron killed a man. In his New York home they found a priceless Italian artifact. It was a clue to a mystery that began 39 years earlier." ("Miracle at St. Anna")
These three World War II films started their path to the multiplex well before audiences rejected several recent films centered on modern-day terrorism and the wars in Iraq and Afghanistan.
Even with some favorable reviews, that slate -- "Rendition," "Stop-Loss," "In the Valley of Elah," "Grace Is Gone," "Redacted" and "Lions for Lambs" chief among them -- consistently fared so poorly that studios either scrapped even loosely similar movies (including United Artists' "Pinkville," an Oliver Stone movie about Vietnam's My Lai massacre) or tried to remove any reference to the current wars (as happened to Friday's "The Lucky Ones," about three soldiers on leave from Iraq in the United States).
