The guy in the fez was having loads of fun. He'd scoop up some ice cream with a long steel paddle, raise it high in the air -- and turn the paddle upside down. Amazingly, the ice cream would stay stuck to it.
He'd fill a cone and then impishly sweep the paddle upward, lifting the cone right out of the astonished customer's hand. Sometimes he'd work his paddle in the freezing compartment and haul up a couple of quarts of ice cream in a single stretchy mass.
This is dondurma, the Turkish "sticky" ice cream, which is thickened with ingredients such as cornstarch or ground sahlep root. If you go to Maras, Turkey's dondurma capital, the locals will lose no time in telling you how an American ice cream chain once tried opening in Turkey but had to give up, because the Turks weren't interested in ice cream that changes its shape when it melts.
The ice cream man was just one attraction at the Anatolian Cultures & Food Festival, which drew about 30,000 people to the Orange County Fairgrounds in Costa Mesa from April 2 to 5. It was a project of the Pacifica Institute, a cultural outreach organization founded by Southland Turks.
Anatolia is the politically neutral name for the region of modern Turkey. The event's founders were mindful to include all the non-Turkish and non-Muslim groups that have lived in the area as well, including Greeks, Armenians and less well-known Christian denominations such as the Assyrians.
Most Americans would draw a blank if you asked them about Anatolia. They are probably aware that the Greeks and Turks eventually ruled the region, but not that Anatolia was a major player in the ancient Middle East. So the event reveled in parading Anatolia's eventful past: the first city (Catal Hoyuk, ca. 7000 BC), the first international peace treaty (Egyptians and Hittites, 1258 BC) and so on, through the achievements of the Urartians, Phrygians, Lydians et al down to the present day. Extras in exotic costumes from these periods gamely stood around all day welcoming visitors to the event.
The 15-acre fairground site was filled with colossal, nearly full-scale reproductions of a number of famous structures, such as the Greek amphitheater at Aspendos and the Armenian Church of the Holy Cross on the island of Akhtamar. They were amazingly realistic, because the sets were imprinted with close-up photography of every inch of architectural detail. The result was almost like visiting Turkey without the jet lag.
