I have to admit it would be fun to join the rollicking beat-down of the New York Times and Alessandra Stanley that has followed the chief television critic's egregiously error-ridden tribute to Walter Cronkite.
Wasn't the public fascinated, after all, to learn that Stanley and the nation's Paper of Record managed eight mistakes in an almost 1,200-word tribute to Uncle Walter? Didn't many in the news game enjoy a moment of schadenfreude, seeing such a tart critic of shoddy TV journalism with her own flank exposed?
But sweet payback has more to do with emotion than reason.
In fact, the botched Cronkite appreciation and the brutally frank corrective actions (including last Sunday's scathing deconstruction by the paper's public editor) expose both a chronic weakness and a persistent strength inside the New York Times, America's most important journalistic institution.
The Times has a bad habit, revealed by the Stanley critique and in recent years by the Jayson Blair and Judith Miller incidents, of letting a few well-connected journalists run amok. At the same time, the Times has shown the strength to subject itself to a level of self scrutiny that some (in a Web Age when corrections of grievous errors come labeled as "updates") would not even pretend.
The New York Times, in short, needs to enforce its high standards more uniformly, regardless of whose byline appears at the top of the story. But its TV critic's latest stumble down Error Alley is hardly evidence, as some would like to suggest, that journalism's top brand has been hopelessly compromised.
I come to this mixed verdict, in part, after a conversation with the newspaper's former public editor, Byron Calame, who told me that "a lot of New York Times editors don't feel, in their gut, they have the right to challenge veteran and star reporters and columnists the way they need to."
But Calame, now retired after a couple of years as the Times' internal watchdog, added: "I still think it's an amazing newspaper. They do a lot of things right. So I don't think this is some sort of huge hole they can't pull out of."
The Cronkite appraisal felt like "a disaster, the equivalent of a car crash," as one editor put it, because of the prominence of the subject and because the newspaper had plenty of time to prepare for the ailing newsman's death.
