Amy Pascal talks 'Moneyball'

It's never an easy decision when a studio head has to pull the plug on a big movie, as Amy Pascal did last week when she shut down "Moneyball," a $58-million Steven Soderbergh film that was set to star Brad Pitt as Billy Beane, the maverick general manager of the Oakland A's who almost single-handedly reinvented the way baseball scouts and develops young talent.

The movie, based on the bestselling book by Michael Lewis, wasn't just in preproduction. It was literally five days away from filming when Soderbergh turned in a new version of the script that Pascal and her Sony team found unacceptable. The decision was so abrupt that the film's producer, Michael DeLuca, got the call about it while on his honeymoon in Paris. As a courtesy to the talent, Pascal gave them an opportunity to try and set the film up elsewhere, but no other studio has shown any interest. So the movie remains at Sony, but will it ever get made? Will Pitt stick with the project? And what exactly went wrong?

Although stories about the film's abrupt demise have appeared everywhere -- with Variety getting the original scoop -- Pascal hasn't talked about the decision until now. To hear her tell it, Soderbergh delivered a script that was inventive but a radical departure from the film Sony thought he was going to make. It was, put simply, more of a dramatic re-creation than a feature film.

"I've wanted to work with Steven forever because he's simply a great filmmaker," Pascal told me Tuesday. "But the draft he turned in wasn't at all what we'd signed up for. He wanted to make a dramatic reenactment of events with real people playing themselves. I'd still work with Steven in a minute, but in terms of this project, he wanted to do the film in a different way than we did."

Soderbergh's last-minute revisions represented a huge change from the shooting script I read when I was working on a story about the film during its preproduction. The script, written by Oscar winner Steve Zaillian, was a baseball movie, but it was loaded with great comic moments and dazzling dialogue that captured the frenetic energy of Beane, a strikingly good-looking former phenom who washed out after a brief stint in the majors, only to resurface as a general manager who operated more like "Entourage's" Ari Gold than the buttoned-down insiders who normally run big-league teams. Beane was a born hustler, always wheeling and dealing, staying one step ahead of his rivals as he scouted unlikely unknown minor leaguers to replace the high-priced free agents a small-market team like the Oakland A's can't afford.