Review: 'Tetro'

A door slams shut; a lock turns; a room goes dark.

That is how the conversation between the long-estranged brothers of "Tetro" begins in Francis Ford Coppola's haunting, beautiful and often frustrating new film.

Families, in the cinematic lexicon of the godfather, are made of brutal stuff; love and loyalty are the weapons of choice, secrets are a given, betrayal is everywhere and blood is always drawn. In "Tetro," it is the seductive power of artistic genius and fame that will both leave a family broken and bind its wounds. If it sounds like it might be Coppola's own story, he says no, yes, a little perhaps.

Vincent Gallo is Tetro, the older brother who long ago escaped the monstrous father, a world renowned conductor, whose artistry leaves his audiences weeping but whose abuse destroys his sons. Younger brother Bennie (excellent newcomer Alden Ehrenreich) has traced Tetro to an apartment in La Boca, a bohemian section of Buenos Aires, where the failing poet-playwright has taken up residence as if distance and silence is all it takes to end a relationship.

In case we didn't suspect it going in, Coppola quickly lets us know this is a textured story he intends to tell. La Boca, the brothers and the tale itself are bathed in the thousand shades of gray that black-and-white filming, and thinking, make possible. Color, when it comes, is surreal, splashes that tint the past and sometimes the experimental theater world of Buenos Aires that "Tetro" inhabits.

Bennie, just turning 17 and with all the awkward energy of a young colt, has shown up on the doorstep of his beloved brother with a duffel bag packed full of clothes, questions and hope. After that first silent night, Tetro's girlfriend Miranda (Maribel Verdu) negotiates an uneasy peace, and the bruising process of the brothers finding their way back to each other begins.

When we first see Tetro, he is emerging from the bedroom, leg in a cast, a cane in hand. A deer-in-the-headlights moment with a bus late one night was the cause. Accidents, bad ones, pile up like litter around this family, defining it and the fate of everyone in it.

Conversations are tense in the tiny La Boca apartment, the brothers circling a thousand elephants in the room. Having refined the art of escape, Tetro is soon off getting the cast removed, leaving Bennie to rummage through the apartment alone, searching for the answers Tetro denies him.