So you're diverging. You're an octopus. You're going eight ways.
Are you saying I'm like Tad -- "8-Way Santa"? No one's going to get that reference except old punkers. I've always done a lot of [stuff]. I'm making another TV show -- my friend Jon Benjamin and I are shooting a pilot for Adult Swim.
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What are they like? Are they insane?
Yes! . . . 'Wait, I thought you said do this, now you're saying do this?' That's my brief experience with them. It's been interesting. But we're making the pilot and I'm looking forward to it
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There comes a point in a man's life where he wants to take it easier. And you're not doing that.
But you know why: because of the nature of this business and how work rolls in. Fairly recently, three years ago, I didn't work for six months. I got really depressed, I was angry, I was a [cruddy] person to be around. I didn't understand why or what was happening.
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And now you're in "Year One."
I worked pretty nonstop from January of last year to now. I literally finished shooting the sequel to "Alvin and the Chipmunks" for three days, headed to London. It's been pretty nonstop but really great. Outside of the "Alvin" thing, which I could give a [brass farthing] about.
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But that stuff pays!
Absolutely. "Alvin and the Chipmunks" paid me more than all my other projects combined: book, TV show, the two pilots, "Year One," yeah. And I'm contractually obligated to do it.
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Good for you.
It was a sequel and the first one did insane business. Anything I've been a part of creating, "Alvin" paid me twice as much as those things combined -- for very little work.
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It's the Laura Dern model.
That's your best example? Laura Dern? Your reference is 15 years old. Steve Buscemi, who was in "Con Air," who wrote and directed his own movie? I'm talking about not even acting in stuff but when you write and create something and produce it and you're not getting much money, you're adding 75% of your time.
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What is up with Amber? I always feel bad when people get their shows canned.
She worked her . . . off on that thing. . . . She'd be gone 17 hours a day.
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She's OK, right?
She'll be fine, yes! She's in L.A., her book comes out soon. It comes out basically the same week mine does. ["Bang Ditto," another collection of Tamblyn's poetry, is due out Sept. 1.] She's pretty amazing. I don't know what I did to luck out. I'm glad she pursued me.
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Is work changing for people this year?
Oh, absolutely. I'm not complaining because I have plenty of money, more money than I certainly need, and for most of my life have been used to. As you can see, I don't have a lot of luxuries.
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Just Rock Band.
And I got some art. And a dog. I don't live a lavish lifestyle. And so I'm not complaining at all. It's one of those things where, OK, you've got this offer for this movie, and it sounds great. But to tell you ahead of time, they're crying poverty, they don't have as much money as they used to, and everyone's getting less and there's nothing they can do. All the studios are going, "We just don't have it in our budget, you know." I'm sure it's down the line -- wardrobe, editing, everyone's getting less money. Except for the studios.
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